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Every year, I round up the best Black Friday sales over at Put This On and also highlight my favorites here, along with choice selections from each shop. The goal is to help readers find quality items without making them wade through what feels like an impossibly vast selection. As usual, some stores have started their Black Friday promotions early this year, hoping to get a jump ahead of other retailers. So I’ll be breaking this into two parts — pre- and post-Thanksgiving. Here are six sales that I think are worth your attention. Come back Friday for more.

MR PORTER: UP TO 50% OFF

Since their launch in 2011, Mr. Porter’s Black Friday sale has become one of the most anticipated menswear events of the year, mainly because they have everything. Men have so many options nowadays — prep, workwear, gorpcore, streetwear, and avant-garde — but no matter your aesthetic, it’s likely that Mr. Porter carries some of your favorite brands. Plus, free shipping and easy returns make it easier to take a chance on things.

I was having dinner with a friend a few weeks ago, who happens to be a reader, and he suggested that I post clippings here whenever I write for other outlets. For those who may not know, my social media accounts have somewhat blown-up in the last few years, growing from about 50,000 followers to over two million across three platforms. As such, I've been fortunate enough to have editors reach out to me, creating a steady stream of freelancing work.

The downside is that I don't get to post as much as I would like here. I have a ton of story ideas, such as the social histories of early 20th-century horticulturalist rebels, 1970s Colorado ski instructors, and mid-century British fishermen — all dealing with how these people dressed (which, I'd like to think, has become my "groove;" shedding light on the social histories behind our clothes). But like everyone, I'm also constantly buried in work, and so some of these stories end up getting pushed back in the queue.

The solution, my friend suggested, is that I post little clippings here whenever I write for outlets, which will keep readers engaged and promote my stories. I loathe self-promotion, but the idea seemed good to me, as some people here might like this sort of thing. The series will be called "Cuttings" for whenever I cut excerpts of my writing elsewhere.

It is a grim feature of modern life that we treat downtime as a pit stop between bursts of usefulness. In the United States, where the Protestant work ethic took the deepest root, even Sabbath observance was shaped by the belief that unproductive time required moral justification. Writing in the early 1930s, Bertrand Russell warned that “immense harm is caused by the belief that work is virtuous.” By 1948, the German philosopher Josef Pieper offered a more forceful philosophical defense of leisure. His book Leisure: The Basis of Culture, published in the wake of one of the largest labor strike waves in US history, pushed back against what he called the tyranny of “total work,” a condition in which the modern human is reduced to their measurable productivity.

If leisure needs any justification at all, it can be found in the breakthroughs it enables: Darwin doing his deepest thinking during long walks at Down House, Beethoven composing "Symphony No. 6" in the countryside, Newton developing the foundations of calculus while on a two-year leave from Cambridge. But framing leisure in terms of output, or even as a way to rejuvenate us for labor, still reduces it to an instrument of the state or market. Instead, Pieper argues that leisure is a necessary condition for the soul. The Greek word for leisure, scholē, is the root of our word school—not a site of vocational training, but a space for contemplative stillness. Leisure ensures that “the human being does not disappear into the parceled-out world of his limited work-a-day function, but instead remains capable of taking in the world as a whole, and thereby to realize himself as a being who is oriented toward the whole of existence.”

In the last few years, I’ve been doing a series called “Excited to Wear.” It’s my way of sidestepping the pointless exercise of defining menswear “essentials,” a concept that flattens the richness of style into generic shopping lists. Instead, I prefer to discuss clothes that excite me as the seasons shift. This spring, I’m drawn to clothes that reflect work and leisure—not as polar opposites but as parallel expressions of human wholeness. After all, spring and summer are the seasons for idleness, marked by bikes that creak out of garages and folding chairs that live in trunks. This list is about the clothes I like to wear for light work on warm afternoons and dawdling on cool evenings. It’s clothes for gardening, brunch, and listening to rediscovered LPs. Hopefully, you can find something here that inspires you for your wardrobe.

In 2008, a StyleForum member shared photos of a bespoke shirt they had made by the renowned Neapolitan shirtmaker Anna Matuozzo. Though the images have since been lost to time, they showed a blue-and-white Bengal-striped dress shirt made from Carlo Riva cotton, featuring a semi-spread collar and some extraordinary details. The buttons were firmly shanked, the sleevehead and yoke showcased delicate shirring, and fine, nubby topstitching traced the seam running along the shoulder—all hallmarks of careful hand tailoring. At the time, the price for such a shirt—bespoke, cut from an adjusted block pattern, and crafted with the highest degree of handwork—was 350 Euros. The price was considered so stratospheric at the time that it sent several forum members reeling. One distinguished member with decades of bespoke experience questioned the rationale behind spending so much on a dress shirt. "If an errant meatball rolls down your body, it's done," he cautioned.

I was reminded of this painful lesson last year while getting dressed. A decade of dipped garlic naan and Vietnamese spring rolls rolling down my gullet has nudged me up a size. Unlike jackets, shirts don't have seam allowances, so I've had to rebuild my shirt wardrobe. A few weeks ago, I published a post about which shirts I find useful in a tailored wardrobe; this one is about casualwear.

Like my "Excited to Wear" posts, this series is full of personal prejudice. Over the years, I've found that dry, generic lists of "wardrobe essentials" are rarely useful or interesting. What I enjoy reading most are people's unapologetic opinions on clothing. That said, casualwear presents a unique challenge. Unlike traditional men's tailoring, which follows a relatively narrow set of conventions, casual dress is vast and varied. Much of what I'll cover here will only resonate if you, like me, enjoy dressing like Bob the Builder. Still, I hope you find one or two things worth considering.

I believe it was in an old blog post on A Suitable Wardrobe where I came across a Bruce Boyer quote—and I paraphrase—that a well-curated wardrobe is the best incentive to stay in shape. By "stay in shape," he meant staying the same size, of course. If you've invested a considerable amount into clothes that hang without a pull or a ripple, you probably don't want to gain or lose too much weight, either way.

That quote recently came to mind as I started rebuilding my shirt wardrobe. I had a moment of realization last year, much like when Daisy buried her face into Gatsby's collection of sheer linen and fine flannel shirts, sobbing, "They're such beautiful shirts." Except, mine weren't so beautiful—they were so slim. Things I bought fifteen years ago no longer fit, as I've gone up a size. Unlike tailored jackets, button-ups don't come with inlays, so I've been slowly rebuilding my shirt collection, piece by piece.

This process has made me reflect on what constitutes a genuinely useful shirt wardrobe. The tattersalls I thought would go nicely under rustic tweed jackets—while technically true—barely saw any use over the past fifteen years. The discounted Margiela shirt I bought as an experiment looked more like a bad Kickstarter project than thoughtful avant-garde, as I never really had the right pieces—or personality—to make it work. So here's what I think should be in a basic shirt wardrobe. Like my "Excited to Wear" posts, this is filled with personal prejudice and bias—it's simply about what I think should be in my wardrobe. But hopefully, you find this more interesting than generic guides about how every man should dress. This guide will be broken into two parts: shirts for tailoring and shirts for casualwear.

According to superstition, good luck comes to those who wear at least one new article of clothing on Easter Sunday, the official start of spring (style-wise). For years, I wrote spring style guides for various publications, including Put This On, but as menswear has become balkanized into tiny little communities, I've found it better to simply talk about what I'm excited to wear in the new season. These "Excited to Wear" posts aren't meant to be prescriptive—find whatever works for you—but perhaps you will find some inspiration here. Here are ten things I'm excited to wear this spring, along with some miscellanea, including a Spotify playlist at the end to go along with the photos. 

Hey, Nice Pants!

Five years ago, John Mayer presented his "theory on pants" in a dimly lit room while playing Qari's "Pants from Japan" in the background. The gist: while pants are often neglected and considered to play second fiddle to jackets, they’re actually important cultural markers. From the bellbottoms of the 1970s to the baggy jeans of the 1990s to the bone-hugging slim-fits of the early aughts, how we cover our lower limbs reflects the spirit of the times. In this sense, Mayer feels we should respect the power of pantaloons and dress from the bottom up. “I’m saying we pick our pants first,” he explained, “and we pick our pants wisely. By making better decisions in pants—and making pant decisions first—we send the circulation of good taste through the rest of our body. The pants we choose will affect what shoes we wear and, systematically, what we wear on top. Good pants make good outfits.”

You used to have to muscle your way into stores and stand in long lines to take advantage of Black Friday promotions. Nowadays, everything is online, so you can shop from the comfort of your own home. The difficulty, of course, is that you're then swamped with possibilities, making it impossible to know what to buy. To make the landscape a little easier to navigate, I round up some of my favorite Black Friday promotions every year and post them here, along with a selection of notable picks at each store. These guides are designed to cover almost every budget—from relatively affordable basics to designer items—so there's something for everyone. Here's this year's list organized by increasing order of price with a smattering of miscellanea at the end. 

J. CREW: 50% OFF EVERYTHING; NO CODE NEEDED

In 2020, when J. Crew filed for Chapter 11 bankruptcy, I wrote an op-ed for The Washington Post about how this preppy brand plays an important role in the menswear market. For many guys, J. Crew is their entry point into building a better wardrobe. The company's prices are relatively affordable, and the designs are fairly classic. The company sells things such as chambray work shirts, field jackets, and flat-front chinos—things that look good on almost everyone. However, the departures of Jenna Lyons and Frank Muytjens in 2017 casted a shadow of uncertainty. Speculation surfaced about plans to transform J. Crew into a version of The Gap, potentially distributed through Amazon. So it was a relief when the company ousted the old management and design team, replacing them with Brendon Babenzien, the new Creative Director, who has steered the company clear of such a fate, injecting renewed vitality into this iconic label.

I envy people who aren't interested in clothes. Just the sight of a chunky cream sweater or camp collar shirt is enough to send me into a daydreaming tailspin, where I waste hours of my day poring over online images and reading about the product's construction. Then I imagine the new and exciting life I would lead if I only had that outfit, temporarily forgetting that I'm actually sitting on my couch with my laptop, cat, and Pendleton blanket on my lap, having not moved for hours and with no intention of doing so. I recently found myself doing this, as many of the best online stores are having their end-of-season promotions, each product page ripe with the hope of possibility—the opportunity to dress up for a friendly lunch, a celebratory dinner, or a walk to the market to buy flowers for one's self. So here is a roundup of some of the sales I've been admiring online, peppered with ideas of when and where you can wear such items. 

SSENSE: UP TO 60% OFF; NO CODE

Maybe it's because I recently watched the Lemaire SS24 show, but I've been once again daydreaming about the artsy, cultivated life I assume I would live if I just owned a few more pieces from this French designer. Lemaire's clothes fit loose, giving you comfort and room to hide an aging dad bod, but they're rendered in fabrics and details that allow you to pretend you're a sophisticated Belgian artist excited about the coming relaunch of the beloved book-lit mag Bookforum. I really like the company's summer pants, which come with self-belts, twisted side seams, and topstitching in unusual places. They move and swish when you walk and lend an attractive silhouette to plain summer outfits. I've been wearing the company's taupe twisted pants with a cream-colored, silk camp collar shirt I bought from The Post Romantic last year, modeled after this Umit Benan design (the shirt isn't on Post Romantic's site, but is available if you just email them). 

For the last few years, I've been doing these posts about things I'm excited to wear for the season. They're a way for me to talk about things I'm excited about without getting into the fraught concept of "wardrobe essentials" (which feels increasingly less relevant nowadays when people have such different needs and lifestyles). Still, readers have found these posts to be useful as seasonal style guides. Here's this year's "excited for spring" post with a bonus soundtrack at the end. You can check previous years' posts for 2018, 2019 (I also did one for summer), 2021, and 2022. 

CHAMBRAY AND SILKY SHIRTS

I've always been primarily an oxford cloth button-down guy. I admire the style's place in American clothing history, as well as its casual, rumpled nature and bookish appeal. However, in the last few years, I've also added two other shirt styles to my regular rotation: snap-button Western shirts, mostly those rendered in denim or needlecord, and silky shirts made from slippery materials such as rayon, Tencel, and actual silk. 

In the mid-2000s, I used to take the bus to Kinokuniya, an Asian bookstore in San Francisco that sold Japanese magazines like Men's Precious, Men's Ex, and, of course, the famous Free & Easy. Non-English publications, then as now, covered classic menswear better than their English counterparts. While American magazines like GQ and Esquire featured articles on Thom Browne and Tom Ford, Japanese publications discussed the differences between English and Italian tailoring, Alden's many lasts, and specialty retailers like The Andover Shop. The issue, of course, was that the writing was in Japanese, making it unintelligible to anyone who did not know the language. Aside from English brand names, there were only a few amusing English phrases, such as RUGGED MAN and DAD STYLE (terms for workwear and trad, respectively). Despite my misgivings about spending $25 on a magazine I couldn't read, no one else did this kind of print coverage. The photos alone were an education.

Last summer, I was delighted to learn that Eisuke Yamashita, a former Men's Precious editor, now runs his own website, Mon Oncle (French for "my uncle"). His site features profiles on menswear legends such as Luciano Barbera, celebrities such as Juzo Itami, and artisans outside the menswear space, such as woodworker Takafumi Mochizuki. I was also pleased to see a multi-part series on Yukio Akamine, whom I regard as the most stylish man alive. Akamine has a long history in the Japanese menswear scene. He's introduced generations of Japanese men to classic style and consulted for brands such as United Arrows. Nowadays, he runs a made-to-measure tailoring company called Akamine Royal Line and appears on Japanese shows to discuss menswear.

In his Mon Oncle interviews, Akamine shares some charming observations and advice. He encourages people to wear jackets that are full enough to allow for comfortable layering ("It doesn't make sense if you can't wear a sweater underneath your jacket") and recommends using fountain pens on a regular basis ("Write letters and take notes. Dozens of years later, they will be a memory for the next generation."). Akamine also emphasizes the importance of good manners ("Don't arrive at someone's home empty-handed. Purchase something that you enjoyed eating. Take it out of the bag, hold it with both hands and say, 'Please enjoy this.' Or wrap it in a furoshiki."). Regarding style, he says, "You don't have to read fashion magazines. Open the window and look outside when you wake up in the morning. A man who can cook rice is a hundred times cooler."