No Man Walks Alone is a sponsor on this site, but also genuinely one of my favorite stores. It's hard for me to think of a place with a better selection of both casualwear and tailored clothing. This morning, they started their end-of-season promotion, where you can find select items discounted by as much as 40%. You don't need a promo code, but since sales are final, you'll want to double-check sizing and measurements (the store has excellent service and you can always email them for advice). Here are a few highlights:

Glenn's Denim Slim-Tapered Jeans

After working for years behind the scenes designing, cutting, and sewing for others, Glenn Liburd started his namesake denim brand at the age of 62. Glenn's Denim is one of those rare "maker-brands," where nearly everything is done in-house. While other companies typically outsource their production, you can find Liburd making almost everything himself out of his small, Brooklyn-based workroom (the exception is the workshirts, which are produced in Portugal). The company also sources their denim from some of the few remaining American weavers. Glenn Denim feels like on one of those obscure, local brands you find at a cool NYC boutique. 

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Last night, when Mr. Porter announced their second markdown, I visited their sale section and many more. I'm relieved to say that the apocalyptic clearance sale that many predicted would happen is not, in fact, happening. This is good news for those of us who want to see stores survive. However, there's also good news for shoppers: sales this season are slightly better than usual, even if they're not at blowout prices. Retailers that normally don't hold sales are holding one. Mr. Porter added previous seasons' inventory to their sale section. And a bunch of stores started new promotions this morning. Here are what I think are the season's best sales, along with highlights from each. 

Mr. Porter: Up To 60% Off

Outerwear: Along with slashing prices for the second time, Mr. Porter added some new inventory in their sale section last night. In the outerwear section, you can find leather jackets from Valstar, Reese Cooper, Golden Bear, and Kingsman. The Valstar shearling trucker jacket, pictured below, is one of my favorites from last year. You can wear it with chunky sweaters, raw denim jeans, and pebble-grained boots for a terrific cold-weather outfit. Valstar also has supple suede bombers if your climate is more temperate. Additionally, check out these topcoats from Camoshita and Mr. P. Most topcoats are too short and slim, but Camoshita's topcoats always have enough room to give them verve. Neither of these coats will be wearable this summer, but you can consider them pre-fall purchases. 

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Menlo Park, a suburb located outside of San Francisco, is known for being the venture capital engine for California’s tech economy. The city today is a portrait of serenity, with its multi-million dollar homes, well-manicured lawns, and wide, tree-lined streets. In 1969, however, when Victor Cizanckas was appointed as the city’s new police chief, Menlo Park and the rest of the Bay Area were in turmoil. The decade’s protest movements were met with increasing state violence, sometimes verging on open warfare. As images of attacking police dogs and civil rights abuses flickered across television screens, Black leaders in the neighboring Belle Haven and East Palo Alto communities organized marches to demand equal treatment. At UC Berkeley, Mario Savio stood at steps of the university’s admissions building, Sproul Hall, where he famously urged students to put their “bodies upon the gears” in defense of free speech. That night, police officers moved in and arrested nearly 800 demonstrators, making it the largest mass arrest in California’s history. And just two days after the assassination of Martin Luther King Jr., with riots raging across the United States, the Oakland police engaged in a shootout with the Black Panther Party, killing young Bobby Hutton.

It’s no wonder so many Americans that decade had such little faith in policing, including residents of Menlo Park. To help rebuild that trust, the newly appointed police chief, Cizanckas, then 39 years old, decided it was time for the most superficial reform — he’d change the department’s uniform. For years, Menlo Park’s officers wore the same, neatly pressed, dark blue attire that commanded military authority. Cizanckas switched out that uniform in favor of a white shirt, dark tie, pair of charcoal slacks, and an olive green blazer. Handcuffs and firearms were hidden underneath the coat, while the shiny metal badge was replaced with a soft embroidered patch. Cizanckas even dropped the department’s use of black-and-white police cars, military stripes, and ranking. “Sergeants” were now called “managers,” while “lieutenants” became “directors.” “We should measure what we do and treat our command staff as managers,” Cizanckas told The New York Times, “not as members of a military hierarchy.”

Since the 1970s, over 400 police departments have engaged in some kind of fashion experiment. In Burnsville, Wisconsin, police chief David Couper dressed his officers in a dark blue sport coat, white shirt, and French blue trousers, making them look like airline attendants. He also discouraged officers from wearing reflective aviator sunglasses when making traffic stops. “Make eye contact,” he suggested, “make sure they know you’re a human being.” Many departments tried lightening the color of their uniforms in hopes that officers would appear less intimidating. In some suburban and countryside towns, officers wore the color of the land, such as juniper green and walnut brown. And by the mid-1980s, NYPD officers tried wearing baseball caps so they would “look more user-friendly,” according to The New York Times.

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It's been barely a month since J. Crew filed for Chapter 11 bankruptcy, making it the first major retailer to fall during the coronavirus pandemic. Since then, an alarming number of fashion-related businesses have followed, including Neiman Marcus, Aldo, John Varvatos, JC Penney, and J. Hilburn. This month may lay claim on one of the largest men's clothiers. In a phone call that took place late last April, Brooks Brothers CEO Claudio del Vecchio allegedly told a group of senior executives that that company plans to file for Chapter 11 bankruptcy this June.

I first heard about the phone call last month while I was working on a story about how Brooks Brothers is planning to shutter all three of its US factories. Since finding the bigger headline, I've been interviewing former and current Brooks Brothers executives, who were willing to share the insider story of how the brand has found itself in this position. This morning, Business of Fashion published my feature. The story is about a lot more than the spread of Casual Friday or the coronavirus pandemic (although those certainly contributed to Brooks Brothers' downfall).

The situation stems from a massive network of long-term real estate leases, which stretch back to the 1980s. Under the leadership of Julius Garfinckel & Co., Brooks Brothers operated just 11 locations in 1971. By the time Marks & Spencer sold Brooks Brothers to Retail Brand Alliance in 2001, there were 155 stores and outlets in the US and Japan. Today, there are roughly 250 stores in the United States alone -- and nearly half of them are outlets. Of Brooks Brothers' full-line US stores, just 40 are responsible for 80 percent of sales. One executive told me that they could have closed over 100 locations and not seen much change in profits. The fall of Brooks Brothers ties together many things: the decline of tailored clothing, the challenges of running a brick-and-mortar business, and the difficulty of telling an American story during a globalized age. You can read my story over at Business of Fashion. 

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Like millions of other Americans, and now millions more abroad, I was horrified to see police officer Derek Chauvin slowly and blithely choking the life out of George Floyd this late May. America has progressed in some ways that I never thought I’d see. And yet, on the issue of police brutality and racial violence, I feel as horrified today as I did when I watched Rodney King get brutally beaten in 1991, or heard about the senseless execution of Amadou Diallo in 1999. Or when I read about Trayvon Martin, Freddie Gray, Ahmaud Arbery, Breonna Taylor, and countless others. It feels like the only thing that has changed is how we consume the news about these deaths. 

I’m far from an expert on this issue, but I wanted to share some things I’ve been reading and doing. By now, you’re probably buried in recommended reading lists and resource guides. If you’re anything like me, you may be feeling overwhelmed by the suggestions. There are just so many links and lists, coupled with the heavy heart I feel over this issue, I find it’s easy to put things off for another day. 

Sometimes, however, I come across something short and manageable, and it’s easy to act upon it at that moment. Yesterday, Mark Cho of The Armoury shared an excerpt from a book about redlining. David Shuck at Heddels wrote about how you can help reform the criminal justice system. The Cut has an excellent post on how you can support the struggle against police brutality. This morning, 3sixteen sent out nine links related to this issue (I like their reading list). I also want to share a brief list of things I’ve found to be useful. Maybe there’s something here you will find helpful too. 

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Menswear entered this coronavirus era while in the throes of no-holds-barred style. In the weeks leading up to the Bay Area's shutdown order, I received a steady stream of emails promoting oversized suits, Gore-Tex hiking boots, and hallucinogenic tie-dye tees. But in even in the early days of the crisis, this veneer was starting to crack. In a Dazed interview published last December, Virgil Abloh predicted that fashion will soon move on from its obsession with streetwear and hype culture. "How many more t-shirts can we own," he asked, "how many more hoodies, how many sneakers?" Could we be witnessing a return to heritage menswear, classic tailoring, and appreciation for craft?

This sentiment is popping up everywhere. At Business of Fashion, trend forecaster Li Edelkoort suggested that this crisis will "completely reset the way we produce, dress, and consume." Designers will no longer make six collections per year, nor will consumers feel compelled to purchase everything they see. Anna Wintour hinted on CNBC this week that the pandemic could end the era of disposable fast fashion. On the other end of the price spectrum, Simon Crompton at Permanent Style believes that artisanal menswear will fare better than other areas in this industry. In his article, industry figures predicted that it will be less acceptable to flaunt your wealth in the future, so we may see a resurgence of high-quality, low-key menswear.

Cam Wolf summarized this viewpoint well in his GQ article last month. "The garish, maximalist designs of the past couple years that emphasized status through logos or obvious brand symbols, and were welcomed with open arms in economic boom times, will likely no longer fly," he wrote. "Consumerism won't grind to a halt, but as a point of comparison, think of how differently our $500 kicks look now compared to 10 years ago: blank-slate Common Projects gave way to loud-as-hell Balenciaga Triple S sneakers. Which might look a little weird these days."

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In the mid-1920s, the press snapped a photo of the renowned radiologist Dr. Alfred Charles Jordan as he was cycling to work at his Bloomsbury practice. Soon after, the picture was published in a British newspaper, where it scandalized readers. Jordan was shown wearing a pair of shorts with a tailored jacket. At the time, no man in the city, and certainly none in professional life, bared his knees in public. Shorts were for children and perhaps people hiking on holiday. Even tennis players in the 1920s wore cream-colored flannel trousers when playing sports.

Jordan went on to be one of the founding members of the Men's Dress Reform Party, a flock of odd ducks in Britain who believed there was an intimate connection between clothes and health. Founded in June 1929, after a meeting at 39 Bedford Square in London, the Party sought to reform men's dress so that it could catch up to the progress they felt womenswear achieved. Members believed that men's clothing was too tight, ugly, and cumbersome, and before the adoption of dry cleaning, unwashable and thus unhygienic. “The Committee believes it would be premature to offer fixed and final views,” they wrote in their first publication. “Indeed, the men's dress reform movement should have as one of its aims the encouragement of a somewhat greater range of individual style than is possible with men's stereotyped costumes.”

For generations up to this point, "proper attire" in Britain was regulated by time, place, and occasion. Men wore dark worsted suits and black calfskin oxfords in the city, then tweeds and brogues for sporting and leisurely activities in the countryside. The members of the MDRP, however, wanted to free men from the shackles of social convention. They didn't just want to banish the suit; they want to replace it with holiday attire. For work in the city, members felt that men should be free to wear soft, open-collared shirts made from colorful rayons and fine poplins, which they thought paired well with jacket-and-shorts suits and matching wool stockings. "Most members wish for shorts; a few for the kilt; nearly all hate trousers. Some plead for less heavy materials and less padding; others for brighter colors," the London Times reported in 1929.

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On the morning of June 14th, 1940, Parisians woke up to the sound of a German-inflected voice telling them, in French, that they were not to leave their buildings. The German Army was invading Paris, first entering from the Porte de La Villette and making their way towards the city's center by way of Rue de Flandres. Soon, German soldiers took over the main intersections, while tanks rumbled down Champs Elysees. By the time of the invasion, nearly two million Parisians had already fled for the countryside and south of France. But among those still trapped in the capital, millions more despaired as they watched a giant swastika flag being hoisted underneath the Arc de Triomphe. That evening, the German Army imposed a curfew from nine in the evening until five in the morning. At night, the city went dark. This was the beginning of life in occupied Paris.

The occupying Germans had big plans for French industry. For generations up to this point, Savile Row had been the center of men's tailoring, while Paris was the heart of haute couture. It's said that a single dress from a leading French courtier at this time was the equivalent of "ten tons of coal," while a liter of fine French perfume was worth "ten tons of petrol." Germany, however, wanted to relocate French haute couture to the cities of Berlin and Vienna. To achieve this, they set up administrative offices back home, introduced subsidies for German manufacturers, and demanded that leading French fashion figures move to Berlin, where they were to help establish dressmaking schools.

Fashion isn't just crucial to the French economy; it's central to the French identity, so many in the trade protested. So many in the trade protested. Lucian Lelong, president of French couture's governing body, Chambre Syndicale de la Couture Parisienne, defiantly declared that "couture is in Paris or it is nowhere." And even as the German government imposed humiliating rationing standards — transforming the French economy to serve Germany needs, first by shipping away food, then clothing, and finally coal — many Parisians found ways to boost their morale. Ingenious French women wore hats made from blotting paper or newspapers — sometimes cleverly designed to signal their political allegiances — and blouses cut-and-sewn from parachutes. Young French men known as les zazous sported billowing zoot-suit-esque fashions to provoke the Vichy government. In her book Fashion Under Occupation, Dominique Veillon quotes one of the workers at Reboux, the largest milliner in Paris at the time, who described the attitude of her fellow workers:

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About a month ago, as I was walking home from work, I made a mental note to call my barber and make an appointment sometime that weekend. A friend of mine’s wedding was approaching, and I was two weeks overdue for a cut. But on March 16th, when seven Bay Area counties issued a sweeping stay-at-home mandate, all non-essential services in my neighborhood were shut down overnight. Truthfully, even if the quarantine order was lifted tomorrow, I’m not sure I’d feel comfortable going to the barbershop anytime before June. So I’ve resigned myself to looking like Shaggy Rogers, the lanky slacker in the Scooby-Doo franchise. By June, I suspect I’ll look like an ugly version of Fabio.

I’m still unsure how I should dress when living under quarantine. Online, I’ve seen some people go as far as wearing a coat-and-tie, but I mostly wear the same uniform Bruce Boyer describes for himself in this Drake’s article: “either khakis or jeans (the older, the better), a casual button-front shirt (chambray, flannel, drill, or whatever suits the season), and camp mocs (again, the older, the better).” The only difference is that I also wear a baseball cap (like the rest of the uniform, the older, the better). These days, when I start feeling cabin fever — which is often — I find it helps to out for a brisk walk around the neighborhood (safely, of course, and away from other people). Going out for a walk keeps my blood moving, clears my mind, and keeps me feeling connected to the outside world. Since these outings are brief, however, I don’t want to style my hair. So I’ve been throwing on a baseball cap, which is currently my only wardrobe essential.

The baseball cap is the only headwear style to have made it out of the 20th century unscathed. Its popularity can be explained using the same themes that have driven the history of men’s dress: democratization, the confluence of commerce and art, and how something can be used to express tribal identity. Most of all, the style has become so ubiquitous in American culture, you could call it America’s national hat. In an ode to the style published in The New York Times, Troy Patterson called this sporty headpiece “the common man’s crown.” 

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