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I was having dinner with a friend a few weeks ago, who happens to be a reader, and he suggested that I post clippings here whenever I write for other outlets. For those who may not know, my social media accounts have somewhat blown-up in the last few years, growing from about 50,000 followers to over two million across three platforms. As such, I've been fortunate enough to have editors reach out to me, creating a steady stream of freelancing work.

The downside is that I don't get to post as much as I would like here. I have a ton of story ideas, such as the social histories of early 20th-century horticulturalist rebels, 1970s Colorado ski instructors, and mid-century British fishermen — all dealing with how these people dressed (which, I'd like to think, has become my "groove;" shedding light on the social histories behind our clothes). But like everyone, I'm also constantly buried in work, and so some of these stories end up getting pushed back in the queue.

The solution, my friend suggested, is that I post little clippings here whenever I write for outlets, which will keep readers engaged and promote my stories. I loathe self-promotion, but the idea seemed good to me, as some people here might like this sort of thing. The series will be called "Cuttings" for whenever I cut excerpts of my writing elsewhere.

I believe it was in an old blog post on A Suitable Wardrobe where I came across a Bruce Boyer quote—and I paraphrase—that a well-curated wardrobe is the best incentive to stay in shape. By "stay in shape," he meant staying the same size, of course. If you've invested a considerable amount into clothes that hang without a pull or a ripple, you probably don't want to gain or lose too much weight, either way.

That quote recently came to mind as I started rebuilding my shirt wardrobe. I had a moment of realization last year, much like when Daisy buried her face into Gatsby's collection of sheer linen and fine flannel shirts, sobbing, "They're such beautiful shirts." Except, mine weren't so beautiful—they were so slim. Things I bought fifteen years ago no longer fit, as I've gone up a size. Unlike tailored jackets, button-ups don't come with inlays, so I've been slowly rebuilding my shirt collection, piece by piece.

This process has made me reflect on what constitutes a genuinely useful shirt wardrobe. The tattersalls I thought would go nicely under rustic tweed jackets—while technically true—barely saw any use over the past fifteen years. The discounted Margiela shirt I bought as an experiment looked more like a bad Kickstarter project than thoughtful avant-garde, as I never really had the right pieces—or personality—to make it work. So here's what I think should be in a basic shirt wardrobe. Like my "Excited to Wear" posts, this is filled with personal prejudice and bias—it's simply about what I think should be in my wardrobe. But hopefully, you find this more interesting than generic guides about how every man should dress. This guide will be broken into two parts: shirts for tailoring and shirts for casualwear.

About eighteen years ago, Monty Don, the British horticulturist and human Peter Rabbit, penned an article for The Guardian titled “Dirty Dressing.” It was about how to dress for the dirty task of gardening. “Never wear tight trousers,” he advised. “Always buy trousers at least one waist size too big, make sure that the pockets are big enough to comfortably hold penknife, hanky, string, phone, pencil, labels, and perhaps a mint or two. […] If you are not familiar with their joys, high-rise trousers are fantastically comfortable and keep your lower back warm. My children still squirm with embarrassment every time they see me in them (which is most days) but that is probably some kind of seal of approval.”

I remember being charmed by his intransigent views; each proclamation was stated matter-of-factly without the need for justification or even elaboration. “Do this, that, and the other thing.” Sometimes, it feels like writers are unwilling to criticize anything nowadays or put their foot down on something they know. This admittedly includes me, a menswear writer who feels it’s impossible to responsibly dole out generalizable menswear advice because people have different needs, personalities, and lifestyles.

So, in the last few years, I’ve been doing this series called “Excited to Wear,” which isn’t about things everyone should buy—no one can recommend those—but simply the things I’m most excited to wear for the new season. These posts allow me to get a bit Monty Don-ish, with my tongue firmly planted in my cheek and with the recognition that I’m only speaking about my personal views. Here are ten things I’m excited to wear as the weather gets cooler. There's also a fall/ winter playlist at the end for you.

It’s often said that America has not been this divided since the Civil War, but even these tumultuous times pale in comparison to the social unrest of the 1960s, when post-war America’s cleavages along race, gender, and sexuality threatened to rip the nation apart. Within ten short years, the United States saw the unfolding of the civil rights movement and the outbreak of countless race riots; the publishing of Betty Friedan’s 1963 book The Feminine Mystique, which sparked second-wave feminism; the Vietnam War and anti-war protests; countless acts of state violence, such as the My Lai Massacre and police brutality at the 1968 DNC; and three major political assassinations (JFK in '63, Malcolm X in '65, and Martin Luther King Jr. in '68). The one bright spot came at the end of this dark decade, when the world finally saw a brighter facet of the American spirit. 

In the summer of 1969, an estimated three hundred million people—a fifth of the world’s population—turned on their television screens to witness a technological miracle. They watched Apollo 11 trace a path through the sky, pierce the darkness of space, and hurtle toward the lunar surface. When the American spacecraft finally descended onto the celestial body, Neil Armstrong gingerly stepped down a ladder and planted his foot on the moon’s dusty regolith. Shortly after, his voice crackled through the void: “That’s one small step for man, one giant leap for mankind.” 

Back home, CBS was one of the many news outlets doing live coverage for millions of viewers. When the module touched down, and Armstrong announced that "the Eagle has landed," CBS' cameras cut back to their anchors, Wally Schirra and Walter Cronkite. At that moment, viewers saw an emotional Schirra wiping away a tear while the usually composed Cronkite bowed his head, momentarily speechless. Although the newsroom was silent, it felt as though the whole cosmos had just cheered. More than fifty years later, this moment is still one of this nation's proudest achievements. 

According to superstition, good luck comes to those who wear at least one new article of clothing on Easter Sunday, the official start of spring (style-wise). For years, I wrote spring style guides for various publications, including Put This On, but as menswear has become balkanized into tiny little communities, I've found it better to simply talk about what I'm excited to wear in the new season. These "Excited to Wear" posts aren't meant to be prescriptive—find whatever works for you—but perhaps you will find some inspiration here. Here are ten things I'm excited to wear this spring, along with some miscellanea, including a Spotify playlist at the end to go along with the photos. 

Hey, Nice Pants!

Five years ago, John Mayer presented his "theory on pants" in a dimly lit room while playing Qari's "Pants from Japan" in the background. The gist: while pants are often neglected and considered to play second fiddle to jackets, they’re actually important cultural markers. From the bellbottoms of the 1970s to the baggy jeans of the 1990s to the bone-hugging slim-fits of the early aughts, how we cover our lower limbs reflects the spirit of the times. In this sense, Mayer feels we should respect the power of pantaloons and dress from the bottom up. “I’m saying we pick our pants first,” he explained, “and we pick our pants wisely. By making better decisions in pants—and making pant decisions first—we send the circulation of good taste through the rest of our body. The pants we choose will affect what shoes we wear and, systematically, what we wear on top. Good pants make good outfits.”

For the past few years, at the start of every season, I've made it a tradition to publish a post about things I'm excited to wear. These posts are a deliberate shift away from the conventional notion of "wardrobe essentials," a concept that has, in many ways, lost its relevance as people lead different lifestyles. They also allow me to just talk about things I'm excited about. I think that emotional connection—rather than a coldly calculated and rational approach about supposed "essentials"—is a much better way to build a wardrobe, as it makes you think about what you'll love wearing ten years from now. I've been encouraged by readers who tell me they find these posts useful in helping them build a wardrobe. So here are ten things I'm excited to break out this season, along with a Spotify playlist at the end that will hopefully set the mood.

THE POLO COAT

Like many things, the game of polo is an international phenomenon with cultural origins now long forgotten. The modern version of the game was first played in Manipur, India, where locals called the fist-sized wooden ball pulu, a Tibetic term later anglicized to polo. In the mid-19th century, British cavalry officers picked up the sport in India, imported it to England, and then spread it around the world during the height of empire. It’s through this intoxicating mix of sport and nobility that polo has become such fertile ground for menswear. The game has given us the button-down collar, jodhpur and chukka boots, Jaeger-LeCoultre’s Reverso, and the most recognizable menswear logo. It has also given us the polo coat—the most American of dress outerwear styles.

For the last few years, I've been doing these posts about things I'm excited to wear for the season. They're a way for me to talk about things I'm excited about without getting into the fraught concept of "wardrobe essentials" (which feels increasingly less relevant nowadays when people have such different needs and lifestyles). Still, readers have found these posts to be useful as seasonal style guides. Here's this year's "excited for spring" post with a bonus soundtrack at the end. You can check previous years' posts for 2018, 2019 (I also did one for summer), 2021, and 2022. 

CHAMBRAY AND SILKY SHIRTS

I've always been primarily an oxford cloth button-down guy. I admire the style's place in American clothing history, as well as its casual, rumpled nature and bookish appeal. However, in the last few years, I've also added two other shirt styles to my regular rotation: snap-button Western shirts, mostly those rendered in denim or needlecord, and silky shirts made from slippery materials such as rayon, Tencel, and actual silk. 

For the past few years, I've been doing these posts every season where I talk about what I'm excited to wear for spring/summer and fall/winter. I usually do these at the beginning of the season. This one comes a little late, but on the upside, I get to talk about some new things I've purchased and have been wearing. There are also more links to in-season options. 

Flamborough Marine Guernsey

Daniel Day-Lewis once said he hates to be "dressed." By which he means, "dressed by others." He rejects the conventional photoshoot routine as an artifice—photographers and stylists carefully dress their subjects in clothes borrowed from fashion labels, often those advertising on the pages next to the celebrity being featured. So when DDL was photographed for the cover of W Magazine a few years ago, he brought with him a small duffle full of his own clothes. His wardrobe that day included a thoughtful mix of styles: a bespoke three-piece Harris tweed suit made by a tailor in New York City, a blue plaid shirt, a white tee, some rugged jewelry, a pair of slim-straight selvedge jeans, a striped Breton pullover, and some rugged work boots he designed himself. "I want to wear soft, comforting, plain things," he told the interviewer. When the article was published, a small line was printed below each photograph, taking the place where brand names would usually appear. Each line read: "All clothing his own."