Things I’m Excited to Wear This Fall

A few months after the world shut down this past spring, Cathy Horyn of The Cut interviewed Raf Simons about what he thought of fashion's possible future. Simons, who's known in fashion circles for introducing a generation of men to the skinny black suit, was sitting in his apartment in Antwerp at the time while wearing elasticated easy pants and a hoodie. He ruminated on what fashion might look like after this pandemic. "'I think there must be a bunch of people out there, when they start thinking about fashion, who don't want to be reminded of the shitty time they had at home in the last five months. But —' He hesitated. 'It's just so personal. I have no clue. [...] honestly, I haven't worn a piece of fashion in months.'"

That's mostly the feeling I get when I think about fashion nowadays. But recently, I've been enjoying Mark Cho's new YouTube series, titled "Dress to Ingest." In a series of relaxing videos that run between five and ten minutes, Mark sits down with various Hong Kong restaurateurs to talk about their signature dishes. The videos are meant to give people some context on where they can wear tailored clothing, here being at restaurants. "They say you don't appreciate it until it's gone," Mark tells me. "Tailoring is often misunderstood only as a 'formal' option, but there's a difference between 'formal' and 'dressed up.' 'Formal' is serious and somber. 'Dressed up' is simply being invested in your appearance for your benefit and others around you. There has always been something precious about breaking bread with friends and family. Given how seldom we see each other now, why not give these rare occasions the celebration they deserve?" 

I don't wear tailored clothing as much as I used to, given that I mostly spend my days at home. But I've tried to make an effort to wear nicer clothes when I can -- a sport coat for short walks around the neighborhood, better flannel shirts even when I'm at home, a nicer pair of pants that I used to reserve for going to the city. "Outside" clothes help break up what's become a very monotonous life at home. Plus, on the few occasions when I can safely meet with friends, I've taken the opportunities to "dress up" more than I used to. The future of fashion is still uncertain, and yet, clothes continue to be one of our small comforts. In that spirit, here are eleven things I'm excited to wear this season. 

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Lamb Chopped: The Story Behind Brooks Brothers’ Bankruptcy

Two years ago, at a black-tie gala held at the Jazz at Lincoln Center, nearly 1,000 guests gathered to commemorate Brooks Brothers' bicentennial anniversary. While sipping on themed cocktails named "Modern Classic" and "Golden Fleece," guests enjoyed an all-American jazz program befit for an all-American clothier. Since their founding in 1818, Brooks Brothers has defined classic American men's style, invented the ready-to-wear suit, and dressed nearly every US President. Brooks Brothers CEO Claudio del Vecchio, who has been widely credited with reviving the company since it fell out of favor under previous owner Marks & Spencer, told The New York Times that he's working to reinforce a culture. "I have to make sure that we are building a company that will last after me," he said while sitting at his 346 Madison Avenue office, where his polished mahogany desk faces an antique grandfather clock once owned by the store's founder, Henry Sands Brooks. "I don't want to be here another 20 years. Forget about another 200 years. It's really about trying to build a culture that will last longer than the business. That will make it very hard for the next guy to screw it up."

Last week, Brooks Brothers filed for Chapter 11 bankruptcy protection, making it the highest-profile men's clothier to do so during the coronavirus pandemic. The company says they plan to close about 51 of their stores, a decision they attribute to the toll of mass shutdowns. This comes on the heels of their announcement that they'll close all three of their US factories by the end of this summer. So far, Brooks Brothers has shut the lights at their Garland, North Carolina shirtmaking factory, which employs about 25% of the town's residents. The company's Southwick suit factory and New York tie factory have been reduced to producing masks, but they too will shutter unless the company can secure a buyer.

Soon, the fashion press will churn out stories about what went wrong at Brooks Brothers. I suspect theories will include something about rampant globalization, rapacious capitalism, corporate mismanagement, and mass-marketization. Brooks Brothers either failed to adapt to changing consumer tastes, or they adapted too much. For diehard trads, the decline of Brooks Brothers will undoubtedly be linked to the decline of Western civilization itself.

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No Man Walks Alone Starts Sale

No Man Walks Alone is a sponsor on this site, but also genuinely one of my favorite stores. It's hard for me to think of a place with a better selection of both casualwear and tailored clothing. This morning, they started their end-of-season promotion, where you can find select items discounted by as much as 40%. You don't need a promo code, but since sales are final, you'll want to double-check sizing and measurements (the store has excellent service and you can always email them for advice). Here are a few highlights:

Glenn's Denim Slim-Tapered Jeans

After working for years behind the scenes designing, cutting, and sewing for others, Glenn Liburd started his namesake denim brand at the age of 62. Glenn's Denim is one of those rare "maker-brands," where nearly everything is done in-house. While other companies typically outsource their production, you can find Liburd making almost everything himself out of his small, Brooklyn-based workroom (the exception is the workshirts, which are produced in Portugal). The company also sources their denim from some of the few remaining American weavers. Glenn Denim feels like on one of those obscure, local brands you find at a cool NYC boutique. 

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This Season’s Best Sales

Last night, when Mr. Porter announced their second markdown, I visited their sale section and many more. I'm relieved to say that the apocalyptic clearance sale that many predicted would happen is not, in fact, happening. This is good news for those of us who want to see stores survive. However, there's also good news for shoppers: sales this season are slightly better than usual, even if they're not at blowout prices. Retailers that normally don't hold sales are holding one. Mr. Porter added previous seasons' inventory to their sale section. And a bunch of stores started new promotions this morning. Here are what I think are the season's best sales, along with highlights from each. 

Mr. Porter: Up To 60% Off

Outerwear: Along with slashing prices for the second time, Mr. Porter added some new inventory in their sale section last night. In the outerwear section, you can find leather jackets from Valstar, Reese Cooper, Golden Bear, and Kingsman. The Valstar shearling trucker jacket, pictured below, is one of my favorites from last year. You can wear it with chunky sweaters, raw denim jeans, and pebble-grained boots for a terrific cold-weather outfit. Valstar also has supple suede bombers if your climate is more temperate. Additionally, check out these topcoats from Camoshita and Mr. P. Most topcoats are too short and slim, but Camoshita's topcoats always have enough room to give them verve. Neither of these coats will be wearable this summer, but you can consider them pre-fall purchases. 

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Taking a Shorts Break

In the mid-1920s, the press snapped a photo of the renowned radiologist Dr. Alfred Charles Jordan as he was cycling to work at his Bloomsbury practice. Soon after, the picture was published in a British newspaper, where it scandalized readers. Jordan was shown wearing a pair of shorts with a tailored jacket. At the time, no man in the city, and certainly none in professional life, bared his knees in public. Shorts were for children and perhaps people hiking on holiday. Even tennis players in the 1920s wore cream-colored flannel trousers when playing sports.

Jordan went on to be one of the founding members of the Men's Dress Reform Party, a flock of odd ducks in Britain who believed there was an intimate connection between clothes and health. Founded in June 1929, after a meeting at 39 Bedford Square in London, the Party sought to reform men's dress so that it could catch up to the progress they felt womenswear achieved. Members believed that men's clothing was too tight, ugly, and cumbersome, and before the adoption of dry cleaning, unwashable and thus unhygienic. “The Committee believes it would be premature to offer fixed and final views,” they wrote in their first publication. “Indeed, the men's dress reform movement should have as one of its aims the encouragement of a somewhat greater range of individual style than is possible with men's stereotyped costumes.”

For generations up to this point, "proper attire" in Britain was regulated by time, place, and occasion. Men wore dark worsted suits and black calfskin oxfords in the city, then tweeds and brogues for sporting and leisurely activities in the countryside. The members of the MDRP, however, wanted to free men from the shackles of social convention. They didn't just want to banish the suit; they want to replace it with holiday attire. For work in the city, members felt that men should be free to wear soft, open-collared shirts made from colorful rayons and fine poplins, which they thought paired well with jacket-and-shorts suits and matching wool stockings. "Most members wish for shorts; a few for the kilt; nearly all hate trousers. Some plead for less heavy materials and less padding; others for brighter colors," the London Times reported in 1929.

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Recommendations for Life at Home

By now, you’re probably buried in reading recommendations, Spotify playlists, and suggestions for films you can watch on Netflix. Well, let me add a few more to the pile. As millions of people across the United State and abroad are subject to stay-at-home orders, outlets have been busy publishing ideas on what you can do to bide the time. The two most creative stories I’ve read come from isolation experts – Scott Kelly, a retired NASA astronaut who spent a year in outer-space, and Billy Barr, who has been living alone in an abandoned silver mining town for almost fifty years (both agree you should follow a schedule). Over at StyleForum, my friend Peter published a list of things you can read, watch, and eat (other than despair over the news). Peter has better suggestions if you want something closely related to men’s style, but if you’re looking for other ways you can settle in at home, here are some of my favorite films, cooking shows, songs, and books. Hopefully, you can find something here to distract you. 

SOMETHING TO WATCH

Crip Camp: The latest Barack and Michelle-Obama produced Netflix documentary, Crip Camp, is a rousing and rare look at the disability rights movement. The film is about a group of young teens who attended a Catskill summer camp for the disabled in the 1970s, where they bonded over mealtimes and warm-weather flings. For camp attendees who usually feel excluded because of their conditions, this gathering was a bastion of acceptance and community. It also helped spark a movement. Coming out of the camp, many attendees went on to become nationally visible disability rights activists. Ultimately, this is a film about inclusion, intersectionality, and how inspirations found during one’s youth can lead to world-changing results. If you need a break from all the bad news, this feel-good story will make you optimistic about the future.

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Three Strange Colorful Histories

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Over at J. Crew, you can find over fifty shades of grey, ranging from “obsidian” to “vintage dove.” The company describes their granite-colored Ludlow suits as “coal,” but that color shouldn’t be confused with the cooler, stone-like shade of their 9" tech shorts, which are also labeled “coal.” Neither of those should be mistaken for J. Crew’s “Bedford coal,” which is different color entirely. In the past, the Americana outfitter has used all sorts of exotic names to describe very ordinary colors. There’s been “dried fig” (green), “surplus grass” (also green), “natural kale” (again, green), “spearmint sprig” (once more, green), and “fresh water” (blue). Reading through these colorful words, you’d struggle to know whether you’re scanning a J. Crew catalog or a farm-to-table menu at a hip Brooklyn bar-restaurant.

To help eliminate the confusion, some people have tried to standardize the ways in which we describe color. Albert Henry Munsell devised a three-dimensional mapping system for color in the 1880s. A. Maerz and Mr. R. Paul built on Munsell’s work but also incorporated common names for various hues and shades. They published their book A Dictionary for Color in New York in the 1930s. Across the pond, the British Colour Council produced a series of color indices from the 1930s through the ‘50s. Their first book, a two-volume set titled Dictionary of Colour Standards, was published in 1934. The Council hoped that it would do for color what “the great Oxford Dictionary has done for words.” The book “would mark,” they wrote, “the great achievement of modern times in assisting the British and Empire industries with colour definition,” thereby giving the British trades a competitive edge.

Shortly after the book was published, The Dictionary of Colour Standards was used as the official reference everywhere from the Royal Horticultural Society to the British Army to the Royal Institute of British Architects. Dermatologists, art curators, and map printers relied on the dictionary to produce important documents. Part of their success was due to the fact that they labeled every printed plate with an evocative name and reference number, much like you’d find in a Pantone guide. They also included fabric swatches for textile designers. Chartreuse, after all, registers sightly differently on paper than it does on fabric. So for the first edition of their book, the Council included carefully dyed silk ribbons. The follow-up edition, released in 1952, came with woolen yarns.

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California Sunshine and Noir

There are two stylized images of life in Southern California. One is an exotic fantasy that was first communicated through surf films such as Gidget (1959) and Beach Party (1964), where the entire Golden State was distilled to the few beach towns that radiate up and down the coast. In these wholesome coming-of-age-stories, there’s always a group of athletic teens with sun-bleached hair that laugh and smile as they get into freewheeling antics at some late-night beach party. Sometimes there’s a romantic misunderstanding or a rivalry with a vicious, but hilariously stupid, group of bullies, but their lives are otherwise uncomplicated. As the endpoint of westward expansion in the United States, California is the geographical and symbolic opposite of the East Coast. Whereas New England’s gloomy weather inspires a kind of pensiveness, California is a place where you can live without a care, sometimes not even a thought, in the world.

The other representation of Southern California is darker, grittier, and more dystopian. In his book City of Quartz, historian Mike Davis paints a picture full of Dickensian extremes. Downtown Los Angeles has a monumental architecture glacis that segregates the rich from the poor. Wealthy neighborhoods in the canyons and hillsides are isolated behind guarded walls and electronic surveillance systems, while homeless people sleep on the street in a district known as Skid Row. In Hollywood, celebrity architect Frank Gehry apotheosized the siege look with a library that resembles a military compound.

Over in Watts, there is a series of shopping centers modeled on panopticon architectural systems, which English philosopher Jeremy Bentham surmised would help institutions control large groups of people with minimal resources. Seven-foot-high, wrought iron fences surround the largest shopping center while a private security force patrols the perimeter, and an LAPD substation is located inside the central surveillance tower. (Developer Alexander Haagen defended his design by saying the fence is inspired by a similar barrier that surrounds the USC campus, which separates students from community residents. That barrier has since only grown with new ID checks, fingerprint scanners, license plate readers, and surveillance cameras). This is a picture of a city girded by fear, and, as William Whyte observed of social life in cities, fear invariably ends up proving itself. In his chapter titled “Fortress LA,” Davis writes:

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Can You Spot Bespoke?

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I was recently having a discussion with my friend Voxsartoria about whether there’s a practical difference between bespoke and high-end ready-to-wear. He thinks the difference is not only night-and-day but claims he can tell when someone is wearing something that was made for them. I don’t believe him. 

Writers who cover bespoke tailoring will often breathlessly swoon about the Old World fitting rooms on Savile Row and how it feels to have a tailor stretch measuring tape across your shoulders. In the foreward of Anderson & Sheppard’s vanity book, A Style is Born, Graydon Carter says a client’s bespoke pattern is more honest than any autobiography (Carter’s foreward is beautifully written, but not that critical or technical). On the topic of whether bespoke lends any advantages, one of the most sensible and grounded articles I’ve read is by David Isle, which was published some years ago at No Man Walks Alone (a sponsor on this site). 

As David notes, comparisons between bespoke and ready-to-wear tailoring are usually complicated by “different makers, different fabrics, different wearers and all manner of other variables that could matter.” In his post, he compares a RTW Formosa sport coat to a bespoke one, both made in the same workshop, according to the same standard, and with the same fabric. The only difference here is that the RTW jacket is cut from a standard pattern and made-up as a finished jacket, whereas the bespoke one is cut from David’s pattern and refined through a series of two fittings. 

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Things I’m Excited About

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With spring officially a month away, new collections of airy polos, linen popovers, and loose-fitting safari jackets are just starting to hit stores, ready to be tried-on, coveted, and perhaps even purchased. For the next three months, brands will try to convince us that we need specialized outerwear to deal with the heat. “Get something unlined!” goes the mantra. This is mostly true until about June, when the sweltering swamp that is summer weather brings nothing but pain and regret. And yet, we’ll continue to wear those lightweight jackets because we bought them. Plus, we look better in outerwear.

For the time being, it’s still cold enough for the kind of clothes that generally excite people: warm scarves, chunky cable knits, Melton outerwear, and the occasional tweed. Friends of mine at StyleForum are already talking about what they plan to buy and wear this coming season, but I’ve only been thinking about how much I still enjoy my cold-weather gear. If you, like me, are still stuck in a fall/winter mindset, here are some things I’ve been excited to wear, and what I’m looking forward to wearing later this year.

COVERT CLOTH SUITS

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