Mr. Porter Winter Sale Starts

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Mr. Porter just started their end-of-season sale, where you can find select items discounted by as much as 50% off. Note, the actual sales section isn’t up yet — and things will be added to the promotion as the night rolls on. But if you add things to your cart now, you may see some discounted prices. 

For those unfamiliar, Mr. Porter’s seasonal sale rolls out in waves. By the end of tonight, you’ll see the official sales section up. And by tomorrow morning, you’ll see the full scope of their sale. If you want to get the best size selection, however, now is a good time to browse. Add things to your cart to see if they’ve already been discounted. If not, leave them in your cart and check back to see if they’re included in the promotion. If you see multiple items you want, checkout now with the discounted pieces you like. Things tend to move quickly at Mr. Porter and your size may not be around by tomorrow. 

I think the best way to browse the sale is by searching through the product categories and filtering by sizes. That way, you increase your chance of stumbling upon something serendipitously. Mr. Porter also has a page on their site listing all their brands. If you’re looking for suggestions, however, here are ten items I think are particularly good. 

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A Look at Drake’s FW19 Collection

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In academia, and particularly social science, research methods have become more rigorous, but the field has produced fewer big thinkers. Take David Ricardo, for instance, the British political economist who transformed the world at age 37 after reading Adam Smith’s Wealth of Nations. Having already made a fortune as a stockbroker and loan broker, Richardo published his first political economy paper on the “bullion controversy” in 1809. He posited that the Bank of England’s propensity to issue excess banknotes was causing inflation, an early theory in what is today known as monetarism. A few years later, in his “Essay on the Influence of a Low Price of Corn on the Profits of Stock,” he articulated the law of diminishing marginal returns.

His most significant contribution, however, came when he studied Britain’s protectionist Corn Laws. Using the simple, yet profound example of how Britain could trade cloth for Portuguese wine, he formulated the idea of comparative advantage — the basis for much of free trade thinking today. Like other great political economy theorists before him, such as Adam Smith and Karl Marx, Ricardo had the uncanny ability to arrive at complex conclusions without the mathematical tools deemed essential in today’s academic research. In his book Price Theory, David Friedman wrote of the man: “The modern economist reading Ricardo’s Principles feels rather as a member of one of the Mount Everest expeditions would feel if, arriving at the top of the mountain, he encountered a hiker clad in T-shirt and tennis shoes.”

Ricardo’s examples, however, were not arbitrary. Portugal at the time was renowned for its sweet port wine, and Britain excelled at producing woolens, linens, cottons, silks, and all things textile related. In the Scottish Border towns, tweeds and cashmere were woven and knitted from local and native wools. Further south, Manchester’s steam-driven textile mills produced almost a third of the world’s cotton, thus giving the city its nickname, Cottonpolis. Spitalfields, similarly, was known for its exquisite and lustrous silk. French Protestant refugees (Huguenots) in the 17th century established the silk trade in this East London district after fleeing from religious persecution. The tradition was later taken up by Irish immigrants who arrived with little more than their weaving skills. It was a simple example involving Britain’s textile industries that helped to set up the following 200+ years of economic theory.

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My Fashion Fantasy is Napping

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Fashion, at its core, is about fantasy. When Karl Lagerfeld sent models marching down the runway in 1964, he used painted screens and boxes, into which dresses neatly folded, to evoke the romance of 18th-century vignettes. Stories about craft and heritage menswear, similarly, make people dream of a better time — often an older time. In the foreword of A Style is Born, Graydon Carter vividly describes Anderson & Sheppard’s workrooms. “Walk down the hall to the long back room at Anderson & Sheppard, where Mr. Hitchcock cuts jackets and Mr. Malone cuts trousers, and you’ll see that the walls to your left and right are hung with tightly stacked rows of thick, worn, kraft-paper patterns […] The patterns are based on a series of specific measurements taken when a customer orders his first suit,” he opens. Somewhere in his description hides the dream that the reader, one day, can come here and order something. 

The greatest fantasy, of course, is about self-actualization. We buy clothes to become better versions of ourselves. A well-tailored suit makes you distinguished, just as a rancher jacket makes you rugged. Whittle your wardrobe down with some contemporary minimalism, and you’ll magically channel Steve Jobs’ professional power. 

These days, my fashion fantasy is much simpler: I want to take a nap. Not on the rolling hills of some bucolic English village or between tailoring appointments in Naples. But at my home in California. And not because I’m exhausted from partying all night, but because I’m legitimately tired from work. If I have any free time at all, I want to lay down. Because I’m an adult and want to rest. Seriously, please, let me rest. 

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The Slow Death of Glamour

About fifteen years ago, some friends and I took a train to go shopping in San Francisco. One of my friends had just been invited to a wedding, and while we were all graduate students at the time and had very little money, she was determined to buy something beautiful for the occasion. So we headed downtown to Barneys.

Until then, I had never been to Barneys. I remember walking into the building and feeling overwhelmed by the store’s expansiveness and glossy emporium feel. There are six main floors for men’s and women’s collections. Each floor is neatly arranged but also packed with the kind of clothes, bags, and perfumes that most people have only heard of through magazines. Menswear is on the two top-most floors: there’s one for designer and another for tailoring. Here, you’ll find racks of Italian sport coats made from plush cashmere-blend hopsacks and silky windowpane patterns. There are dolefully constructed Rick Owens leather jackets and Thom Browne sweatsuits that are so expensive, they suggest you loot your own country. Near the rows of crystal-weave Charvet ties are the European-made leather bags, which I imagine are sold to men who jet around the world. The whole store felt very glamorous.

Two weeks ago, Barneys filed for Chapter 11 bankruptcy. They announced that they’ll be closing all but five of their 22 locations — the San Francisco store being one of the few that will be spared, along with their Madison Avenue flagship and the Chelsea store that opened three years ago around the block from their original location. If Barneys shutters, it will be the highest-profile victim of the current retail downturn. Some blame the company’s woes on online competition and skyrocketing rents (their Madison Avenue store’s rent nearly doubled to $30 million in January, which the company cited as a significant reason for their bankruptcy). But I can’t help but wonder this isn’t a sign that the once blinding and wonderous shine of glamour is starting to dull.

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On the Edges of Style

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In his 1966 essay “The Secret Vice,” originally published in The New York Herald Tribune, the white-clad chronicler of American culture, Tom Wolfe, starts by talking about men who love handmade buttonholes. This was, of course, before surgeon cuffs were standard on ready-to-wear, but the passage will ring true to anyone who’s ever obsessed over the details. 

“Real buttonholes. That’s it!” Wolfe exclaimed. “A man can take his thumb and forefinger and unbutton his sleeve at the wrist because this kind of suit has real buttonholes there. […] Yes! The lid was off, and poor old Ross was already hooked on the secret vice of the Big men in New York: custom tailoring and the mania for the marginal differences that go into it. Practically all the most powerful men in New York, especially on Wall Street, the people in investment houses, banks and law firms, the politicians, especially Brooklyn Democrats, for some reason, outstanding dandies, those fellows, the blue-chip culturati, the major museum directors and publishers, the kind who sit in offices with antique textile shades – practically all of these men are fanatical about the marginal differences that go into custom tailoring.”

The phrase “it’s all about the details” has been exhausted, but in classic men’s tailoring, it’s still true. Suits and sport coats follow a template that’s the result of many generations and skilled hands. But there’s still plenty of room for personal expression. Much has been written about pocket styles (jetted, welted, and patched), lapel shape (peak, notch, straight, and bellied), and closure (single button, two-button, three-roll-two, and the never to be worn hard-three). However, there’s not much online about how the edge of a coat can be finished. It’s a detail that’s easy to forget but can make a surprisingly strong impact on how a garment looks. Here’s a run-through:

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How London’s Bespoke is Changing

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Pitti Uomo is the twice-a-year menswear tradeshow in Florence, Italy, where industry buyers and sellers meet so they can coordinate their seasonal offerings. But at last month’s Pitti Uomo, there was a strange and unexpected booth. It was nearly all white, had angular shelves, and showcased a new line of ready-to-wear shoes. Above the display, a printed banner read, “Foster & Son.”

For the last hundred years, London’s bespoke tailoring and shoemaking trades have prided themselves on being different from ready-to-wear. Many companies took great pains to explain how custom-clothing is superior to factory production. Additionally, the Savile Row Bespoke Association tried, albeit unsuccessfully, to guard who can use the term bespoke. But in the last ten years, there’s been a shift. Many of London’s best bespoke firms are now using the craft side of their business to give their ready-to-wear lines a halo — something Parisian haute couture houses have been doing for decades.

The venerable firm Foster & Sons has carried the grand tradition of bespoke shoemaking since 1840. They’re part of a small group of custom shoemakers located on the West End, sitting alongside names such as John Lobb and George Cleverley. During England’s medieval period, London was split into two halves. There was the proper city of London on the east, which was a center for finance, banking, and law. Then the City of Westminster on the west. When King Henry VIII built his new royal palace on St. James in the 16th century, he brought with him his aristocratic following. Wealthy elites were happy to live west of London because the pleasurable countryside was usually upwind of the smoke drifting from the crowded City. Over time, as money poured into the area, the West End became known for all the things associated with British aristocratic life — shopping, leisure, gentlemen’s clubs, government, and bespoke shoemaking.

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No Man Walks Alone Starts Sale

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It’s that time of year when I post a spat of seasonal sales. The third big one started this morning: No Man Walks Alone, where you can find select items discounted by as much as 40% off. Their sale is one of my favorites for two reasons. The first is that I get to post a photo of the shop’s founder, Greg Lellouche, and note that he is, in fact, walking alone. The second is the shop’s selection. While No Man Walks Alone is a sponsor on this site, they’re also one of my favorite online retailers. Along with some excellent tailoring, they also carry Japanese workwear, contemporary casual, and a bit of the avant-garde.

The selection here is big, but not massive. It’s reasonably easy to scroll through the entire sale selection to see if there’s anything you want, but No Man Walks Alone also has filters on their site so you can narrow in on sizes, colors, and brands. Some of my favorite makers here include Sartoria Formosa, Drake’s, and Kaptain Sunshine. If you’re looking for highlights, here are ten things that I think are notable.

Valstar’s Plaid Wool-Alpaca Topcoat

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Incomparable Lightness of Being Ugly

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In The New York Times last month, writer Megan Nolan asked the simple question: why do we all have to be beautiful? As a young girl growing up in Ireland, Nolan wanted to be beautiful so badly, she could taste it (“it tasted like blood”). She didn’t want to be cute or pretty. She didn’t want to be more desirable to men. She wanted to be beautiful because it’s harder to make beautiful people look foolish. Their lives are always well-ordered and they never feel embarrassed. And like all teens, Nolan often felt embarrassed.

Nolan’s hard, painful desire to look beautiful has stayed with her most of her life, but she asks at the end of her essay whether today’s inclusive message of beauty — where we’re told everyone is, in fact, beautiful — does more harm than good. “I tried to love myself as I got older, tried to look with clear eyes at my physical flaws and not just accept but admire them. I tried to believe that, actually, I was beautiful, because everyone was, not just the chosen few,” she writes. “I tried forcing myself to concede this, through a fake smile and gritted teeth. I’ve said it aloud, as advised by body-confidence self-help gurus, while looking at myself naked. It’s always felt absurd. […] Wouldn’t it be freeing to admit that most people are not beautiful? What if we stopped prioritizing pleasing aesthetics above so much else? I wonder what it would be like to grow up in a world where being beautiful is not seen as a necessity, but instead a nice thing some people are born with and some people aren’t, like a talent for swimming, or playing the piano. Everyone is beautiful, we’re told. But why should we have to be?”

Men don’t face nearly the same pressures as women to look attractive. We have other ways of climbing up the social ladder — humor, wealth, and even a reputation for violence. This masculine advantage is well-captured in Biggie’s “One More Chance,” where he raps: “Heartthrob never, black and ugly as ever/ However, I stay Coogi down to the socks/ Rings and watch filled with rocks/ And my jam knocks.” As Ta-Nehisi Coates writes in The Atlantic, the word “however” has never been used to greater effect. “There was no ‘however’ for a girl deemed ‘black and ugly,” he writes. “There were no female analogues to Biggie. ‘However’ was a bright line dividing the limited social rights of women from the relatively expansive social rights of men.”

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Excited to Wear This Spring

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Spring is the season for songbirds and meaningless baseball, cool mornings and warm afternoons, but for people who love clothes, it’s also the worst time of the year. Spring clothes are often less interesting. There fewer opportunities to layer. The cuts reveal more than conceal, and few of us look good naked. Whereas dressing for winter can be a paint-by-numbers exercise, dressing for spring is more like trying to solve a puzzle. How do you dress well, but also comfortably?

It always takes me a while to switch wardrobes this time of year, but I often go back to the same things – breathable tailoring, button-down shirts, and loafers. For casualwear, it’s usually a workwear styled jacket and some raw denim jeans (gotta get those fades). I also like bolder shirts nowadays with unusual collars, and have even been embracing things such as graphic tees. If you’re looking for some early spring inspiration, here are some things I’ve been thinking about.

MY KIND OF FUN SHIRT

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No Man Walks Alone’s Spring Sale

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Every season, I find myself wanting at least a few things from No Man Walks Alone (a sponsor on this site, although I pay for all my purchases at full price like everyone else). The store has an impressive selection covering a range of styles, from Japanese workwear to Neapolitan tailoring to contemporary minimalism. But a lot of the stuff comes together in a way that works for guys who appreciate classics without wanting to look like they’re in repro, as well as contemporary clothes without seeming overly trendy. Greg, the shop’s founder, used to work as a senior investment banker at UBS, where he had to wear a coat-and-tie. I appreciate that he has a better eye for tailoring than more casual shops, but also a more stylish take on casualwear than most traditional clothiers. 

For the next three days, they’re holding an early spring sale, where you can take 20% off any full-priced item with the checkout code SPRING20. They also have some deeply discounted stragglers left in their winter sale section, although the code doesn’t stack. Here are five things that I think are particularly notable right now: 


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