
A couple of years ago, Wall Street Journal’s style editor Jacob Gallagher described the Italian menswear line Eidos as “something that only looks good on men who are as handsome as the brand’s designer, Antonio Ciongoli.” I admit, up until then, I had been thinking the same thing. And while Antonio always looked good in photos – wearing trim white jeans and citified bomber jackets – I’ve learned my lesson over the years in not modeling my wardrobe too closely after handsome Italian men I see online.
Last winter, however, while I was around downtown San Francisco, I decided to stop by Bloomingdale’s and check out the line. The clothes, to my surprise, were exceptionally wearable. The knits, based on old Aran classics, were updated with more interesting weaves and details. The polos were trim and cut with unusual collars, but they looked good when layered under a jacket. And then there was the outerwear, which was my favorite part of the collection. Slouchy, knee-length topcoats – one of which I later bought – paired just as easily over sport coats as they did with sneakers and jeans. You can see Mitchell Moss wearing a brown tweed one on his Instagram.
Part of this is about the editing process. In an amusing segment at Blamo! (a menswear podcast you should be following), Antonio said that he’s tried to make the line a lot simpler over the years:
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