It’s always exciting to see creativity and craft come together. Bespoke shoemaker Nicholas Templeman is coming to the US this month, starting Friday, October 9th. He’ll be visiting New York City, Boston, Chicago, and San Francisco. To prepare for his tour, he’s put together a collection of eight samples – ranging from the sort of conservative oxfords he used to help make for John Lobb of St. James, to dandier styles, such as a bright-colored button shoe. 

My favorites from him are somewhere in between – styles that have a bit more flair than a traditional oxford, but are conservative enough to wear with a simple suit or sport coat. The adelaides above, for example, are beautifully made from a smooth box calf, and then distinguished with hatch grain facings and counters. A bit of interesting history: box calf used to refer to a hand curried and boarded leather – called so either because the object they used to prepare the leather was box-like, or because the process created box-like markings. It was supposedly done to help soften the leather, but nowadays, that’s done through the tanning process, so the term box calf just refers to a smooth (usually black) leather, like you see above. 

Keep reading

 

Three years ago, when I visited Antonio Panico’s workshop in Naples, he showed me three safari jackets. One was constructed from linen, another from cotton, and a third, surprisingly, from a hefty cashmere. Together, they represented how you could wear the style three seasons out of the year. The jackets themselves were a bit too big for my skinny frame, but when Panico put them on me and belted them up, I can’t say I’ve ever felt cooler. 

Since then, I’ve been wanting a safari jacket I can wear in the fall, just to go with the cotton and linen ones I sometimes use in the summer. The key to making these look good, I think, is to have the garment styled more like a jacket than a shirt (which shirt jackets like these can lean either way). That means a slightly slouchier fit, rather than something overly tailored, and details such as bigger buttons at the front, bellow pockets on the hips, and – possibly – even a separate side body panel, so that the jacket has a bit more shaping. 

Heavy cashmere is too rich for my blood, but I’ve been thinking about getting one made from tweed or moleskin. The nice thing about shirt jackets is that, since there’s no interior construction, bespoke pieces are much more affordable than other kinds of tailored clothing (think, something around $750, which isn’t inexpensive, but a far cry from the ~$2,500 tailors charge for bespoke sport coats). You do need a custom shirtmaker who already has your pattern, however. If he or she has to create one from scratch, expect to pay a few hundred dollars more. 

Keep reading

There’s something beautifully organic about Hiro Yanagimachi’s shoes, but many people have never heard of the company for a very simple reason: despite there being over fifty bespoke shoemakers in Japan, and nearly two dozen ready-to-wear labels, their shoes are rarely sold or even seen outside of the country. In fact, they’re rarely even talked about on English language blogs, which means the rich world of Japanese footwear remains fairly opaque to outsiders. 

There are some makers, however, who occasionally visit the US and Western Europe. The Armoury, for example, hosts trunks shows in NYC with Koji Suzuki, who trained in Florence, Italy under the famous Roberto Ugolini. Similarly, Hiro Yanagimachi is just starting to tour the world. “British shoes taught me the meaning of classic,” says Yanagimachi. “At the same time, I’ve always enjoyed the fun in Italian style, the sophistication of French footwear, and the comfort and casual nature of American shoes. I don’t follow any particular style, but they’re all reflected through my work when I try to answer the question ‘what is a Hiro Yanagimachi shoe?’”

Keep reading

Brooks Brothers just started their Friends & Family sale. The event used to be held mid-season, but it’s apparently gone pre-season now (aren’t we technically still in summer?). In any case, you can take 25% off almost everything on their site with the checkout code FRIENDS. Some notable items include:

• Boots: These shell cordovan boots are some of my favorite shoes to wear with both jeans and tailored trousers. They also come in a suede version, which you can spray with a waterproofer and turn into rain boots. 
  
• Slip-Ons: Some nice models for tassels and pennies. Also a lightweight tie model from Crockett & Jones (available in pebbled grain or suede), which I think go well with casual suits.
  
• Unstructured Shoes: Floppy, unstructured bluchers and chukkas from Alden. 
  

• Edward Green: Surprisingly, certain models from Edward Green work with the discount code, such as the Bordon bluchers, Newmarket Chelesas, and Longmoor wingtips. 
  
• Outerwear: Some Beretta hunting coats, starting at about $300 with the discount. This model has a shoulder strap system inside that allows you to sling the jacket across your back when it’s not in use. 
  
• Shirts: The coupon code stacks on Brooks Brothers’ Every Day Value deals, which means shirts come out to about $57 apiece if you buy in sets of three. Check out their oxford-down button-downs (available in both solid-colored and striped options), as well as dressier chambray and denim models. 
  
• Luggage: Brooks Brothers’ sales are always the best time to pick up Filson bags. They also have a good range of luggage from JW Hulme, if you want something in leather. 
  
• Accessories: There are some nice things here and there if you browse the accessories section. I’ve always liked Brooks Brothers’ tartan umbrellas for their value, as well as some of their dress belts (I use this model). Also worth checking out are the gloves, scarves, garment brushes, shoehorns, tie cases, and dopp kits. My favorite item is this Lock & Co sisal hat. I bought one last year and have been wearing it all summer long.
  
• Sale Section: There are some linen shirts in sale section that come down to an appreciably low $45 with the discount code. Available in both solid colors and stripes. 
  

Keep reading

It feels ridiculous to call a pair of ~$1,500 shoes high-value, but Saint Crispin’s really do feel like some of the best deals around. For about the price of high-end ready-to-wear, you not only get a pair of handwelted shoes with a lot of the shaping you’d find in bespoke, you also get a world of customization options. So many, in fact, that you can spend nearly an hour mulling over an order. Or at least that’s how long I spent yesterday at The Wingtip, as Phillip Car is in San Francisco this week holding a two-day trunk show. 

Technically speaking, Saint Crispin’s has five levels to their customization program, but you can somewhat group them into three (for all five, you can visit their website). The first level is your standard made-to-order, where you can get any of their mainline models in a variety of leathers, colors, and sole types. There are also small details, such as sole monograms and toe plates. Somewhat standard stuff, although Saint Crispin’s is one of the few companies who offers a wide range of crust leathers (a type of unfinished leather that’s handstained at the company’s Romanian workshop). With handstained leathers, you can ask for even subtler variations in color that you might not be able to achieve with finished materials. 

There’s also the possibility of getting last adjustments, in case their standard lasts don’t fit you properly. Here, small pieces of cork are either added to the last before the shoes go into production, or pieces of the lasts are rasped away. You can see part of the process in the video at the end of this post. It’s an ingenious solution for people who like Saint Crispin’s shoes, but just need to get a better fit. Phillip tells me that, along with getting a better fit, customers can even ask for complete changes to the toe shapes. Useful if you, like me, want a slightly rounder toe for more casual styles. 

Keep reading

I had a nice chat with Patrick Johnson and one of his sales reps, Remy Ghougassian, a few weeks ago. The two were in San Francisco fitting customers, so we met after hours at the St. Regis hotel to chat over drinks. Since they just moved to New York City, I asked if they’ve found any cultural differences between the US and their home country, Australia. “I think there are some,” said Remy. “Australians tend to be more informal, even in professional settings. You can meet someone for the first time and they’ll treat you like an old friend.” 

Perhaps that’s the best way to describe P. Johnson’s tailoring – casual, informal, and utterly unpretentious. Their company specializes in a trimmer, sportier take on traditional tailoring, although they don’t go as trendy as some fashion-forward lines. Patrick noted that, while they can obviously make anything a client wants, he prefers slightly more traditional lengths. “Short jackets often accentuate the hips, which is rarely a good look for men,” he said. So while their suits and sport coats fit slim, the jackets are still long enough to cover the wearer’s rear. 

What really defines their tailoring, however, is the construction method. P. Johnson is a made-to-measure customer clothier, using adjusted, computer-generated patterns that they produce in-house (in Australia, although the tailoring itself is done in Italy). This allows them to offer a better value to those who aren’t interested in bespoke. And while they allow clients to choose from a variety of styling details, their default house style is very soft. So soft, in fact, that even their most structured suits are about what you’d typically find in Naples – everything else is only softer. 

Keep reading

Suit jackets and sport coats aren’t the only things that come unstructured. For the miserably hot days we’ve been having lately, I’ve been enjoying my unlined shoes. Soft and slipper-like, they feel a little more comfortable and carefree when temperatures climb past the mid-eighties – even if you’re still sweating like a pig. 

To explain, most leather shoes come with a full leather sock liner built-in. That means two pieces of leather are joined to form the uppers – there’s the leather that faces the outside world, and the leather that touches your feet. By joining these two pieces together, you get something that’s a bit more structured and will hold its shape better. Without the lining, however, you get a softer, more comfortable shoe. Whereas most leather footwear needs a break-in period, unlined shoes feel like slippers on first wear. 

My favorite unlined shoes come from Alden. They have three main models: a chukka, a loafer, and a blucher. Like with neckties, when a company describes their footwear as unlined, they usually mean they’re lightly- or partially-lined. Alden’s loafers are lined at the back half of the shoe and at the toe – leaving only the vamp and front sides unlined. This gives their loafers an appreciable softness when worn, but they’re not nearly as soft as the company’s chukkas, which are almost completely unstructured. 

Keep reading

 

I love classic tailored clothing and heritage brands such as Barbour, but I also enjoy seeing all the new brands that come up in casualwear. Patrick Grant once said the great thing about fashion is that it’s an “ever-moving feast” with new companies and styles coming and going all the time. Last year, I wrote about six new(ish) companies that I’ve been watching – brands such as Ten C, Frank Leder, and Dana Lee (who I still think are doing great things). Here’s an update with seven more. Like with the previous year’s list, maybe you’ll find something to like here as well. 

 

 

Keep reading

My friend Agyesh is one of the most talented guys I know. A Parsons graduate and former product developer at Isaia, he struck out on his own a few years ago to start his own design company. Named Stoffa, which is Italian for “the stuff things are made of,” the label started with a handsome range of accessories – from slow loomed scarves to modern looking pocket squares to unique knit ties. Everything from the company feels refreshingly new and modern, even though they’re still using century-old production techniques. Their scarves, for example, are woven on old, wooden, jacquard shuttle looms in Biella, Italy. Since they’re made to size, rather than cut from larger pieces of fabric, they’re finished with a selvedge edge. 

Yesterday, Stoffa introduced their first cut and sew pieces, which Agyesh has been developing and product testing for the last two years. Included are three models for leather jackets – an asymmetrical zip with big sweeping lapels; a flight jacket with oversized pockets; and a longer field jacket designed to be worn over tailored sport coats and chunky sweaters. Tons of unique details abound, such d-ring side tabs to help cinch in the waist and stand up collars to add a bit of panache. There’s also a new line of trousers, which are made with a slim leg line and higher rise (a combination that’s frustratingly hard to find). 

Everything is custom made, which means you can choose from a range of lambskins, suedes, and brushed cottons for the jackets, and a nice full line of peached cottons for the trousers. Prices range from $700 to $1,700 for outerwear (depending on the material and model) and $250 to $300 for pants. Since everything is made-to-measure, however, it does mean that purchases have to be made at one of Stoffa’s trunk shows. “I’m very focused right now on getting things right for customers,” says Agyesh. “That means taking people’s measurements in person and helping them figure out which model is best for them.” 

Keep reading

I had a project last year where I wanted to re-line a black leather jacket with an old piece of Japanese boro – a term used for heavily repaired, indigo-dyed peasant fabric that comes out of the island’s countryside. The project hasn’t gone so well. Although I found my boro (it was bought at Shibui), I haven’t found the right jacket. The original plan was to get a cafe racer from an old season by Junya Watanabe, but after ordering one direct from Japan, it was lost in the mail. So, the boro sits neatly folded in my closet, waiting for another jacket to arrive. 

The process has gotten me interested in other textile traditions, however. Re-lining something such as an old cotton field jacket or a beat-up leather bomber seems like a nice way to (quietly) incorporate fabrics that might otherwise never get used in men’s clothing. One area of interest at the moment: African textiles – namely mud cloths and indigos, although since these traditions are so varied and intricate, I’ll only highlight the latter today. 

Keep reading