
The 1964 film Umbrellas of Cherbourg opens with this beautiful scene of Paris. It’s a wet and dreary day, and the camera pans down to one of the city’s dark-grey and muddy-brown roads. A few seconds in, someone wearing a yellow raincoat walks across the street. Then someone else opens a red umbrella. Suddenly, the screen is filled with bright coats and pastel-colored canopies – and just like with the rain, colors begin to pour across the screen.
I think of that scene sometimes when choosing an umbrella. Black is the only color that should be in everyone’s closet (it goes with everything), but if I don’t need to look serious that day, I usually reach for something more cheerful. Bright yellows and reds are too dandy for me, but the colors that usually work well for neckwear also do pretty good for canopies – British racing green, chocolate brown, and deep navy. If I do pick a black umbrella, it’s almost always the vintage Ralph Lauren with a leather wrapped handle – rarely the plain cherry wood that I thought would be a staple.
Brooks Brothers, Barbour, and London Undercover sell reasonably nice umbrellas for about $50. For something better, however, be prepared to pay anywhere from three to twenty times the price, depending on the construction and materials. Swaine Adeney Brigg, for example, makes beautiful, silver nosed, Malacca wood umbrellas, but they cost more than what most men spend on sport coats (although, still a fraction of what Visvim is trying to charge for this thing).
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