
I’ve been busy with work deadlines, but I finally had a chance yesterday to pack up some old lengths of fabric that have been sitting in my closet and send them off to my tailor Steed. One is a dark brown Donegal with orange flecks; the other a large-scale glen plaid tweed that was designed by Michael over at The London Lounge, and modeled after something Gianni Agnelli was sometimes seen wearing.
One of the joys of bespoke is being able to pick your own details, and even for a conservative dresser such as myself, there are a ton of options. The cut of the lapels (bellied or straight), shape of the fronts (cutaway or closed), and stitching techniques (swelled or picked) can mean everything in a jacket.
For these two coats, I’m going off my usual order and getting a bit cheeky with the sleeve buttons. Roughly speaking, most English tailors, if left alone, would put four buttons on everything, while Neapolitans prefer four on business suits and three on anything casual. Sometimes those buttons touch (which would be called kissing); sometimes they overlap (which would be called waterfall).
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