Summer’s Sneakers

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The New York Times had an article a few weeks ago about the return of sneakers, and how some men (mostly New Yorkers) have been trading in their wingtips for gym shoes. It wasn’t a terribly interesting piece, to be honest, as sneakers have never not been popular, and men have been mixing them with tailored clothes for at least a couple of years. For anyone who would even be interested in reading such an article, this is all old news. Instead, I thought the author missed what’s a much more broader and interesting development: the rapid growth of designer sneakers in the last twenty years, which has culminated into the crazy market we have today. 

The idea of designer sneakers is as tricky as the idea of designer clothes. It’s never clear what people mean by “designer” – whether it’s about the name behind the label, the intent of the design, or the “theatrics” of the clothes themselves, as Eugene Rabkin once put it. Either way, we kind of know what people mean when they refer to it, and in this way, the rapid growth of designer sneakers is interesting in the same way designer jeans have been interesting. It’s a deliberate de-democratization of something that used to be incredibly democratic. Sneakers are unique in that everyone from Bill Gates to homeless people wear them, but in the emergence of designer sneakers, there’s a new stratification where there used to be none. Designs from Giuseppe Zanotti and Alexander McQueen, for example, retail close to a $1,000 nowadays, which makes the $100 Jordans we all used to covet as kids seem like a joke. 

I admit, I’ve been paying more for sneakers than I ever thought I would, but you’ll never catch me dropping close to a grand. I do wear sneakers a lot in the summer, however, particularly with beat-up denim and casual outerwear. Some expensive, some not, and some not even really considered designer at all.

At the top of the list are the Margiela German Army Trainers. I picked them up in three colorways, and for a while wore the brown and black pairs almost exclusively. Lately, however, I’ve come around to accepting that the white versions are the most useful, even if they’re the least interesting, as they simply don’t take that much thought to coordinate. More affordably, real German Army Trainers can be had for about $80 if you go through a proxy on StyleForum. The biggest difference between them is that the originals won’t have that grey stripe that (I think) help balances out the toe box. They are priced attractively, however, and being the originals has merit. 

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Summer Plaids

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I’m not one for loud colors, but I have a soft spot for madras shirts in the summer. Madras is a lightweight, airy woven cotton, which typically comes in bold and beautiful patterns. The fabric takes its name from the Indian city where it originated, but it’s been long considered an American classic for its associations with Ivy Style. As the story goes, a fabric importer named William Jacobson went to India in the late 1950s to procure some fabrics, and subsequently sold about 10,000 yards of madras to Brooks Brothers. He neglected to mention, however, that the mill warned him the fabric would bleed in the wash, so Brooks had a problem when customers came back furious about how their new clothes ruined their laundry. Rather than recall the garments, Brooks spun around and marketed their stock of madras as that “miraculous handwoven fabric from India” that was “guaranteed to bleed.” Americans have been in love with the cloth ever since.

It’s hard to find actual bleeding madras these days, as everything is made to be colorfast. Friends of mine who do research in India tell me that bleeding madras is still available there, but the fabric is rarely made for export. The only exception I know is Atlantis Fabrics, but their stock of bleeding madras (at least that part which they’re willing to sell to the public) is limited, and the qualities are highly variable. On some stocks, for example, you can have whole sections of stripes missing on a check, or unusual stains of unknown origin. Plus, Atlantis seems to be harder and harder to work with these days. Years ago, I could buy fabrics from them at about $5 a yard, but nowadays, they have higher minimums, higher prices, and requirements for wire transfers (which add to the cost). The other source for good madras is Rosen & Chadick, but while their shirtings are of higher quality, I’ve never heard of them stocking anything that bleeds.

In any case, last week I received what I think might be my last batch of madras shirtings for a while. All three were bought from Atlantis as part of a group buy organized on StyleForum. None of these bleed, but they should still look good underneath cotton or linen sport coats. I plan on sending them to Ascot Chang to be made into shirts, and then wearing them with an open collar and a big smile.

To find ready-to-wear madras shirts, you can visit traditional shops such as O'Connell’s, J. Press, and Brooks Brothers. J. Crew and Ralph Lauren are also worth a look for slim fitting options. 

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A Sisal Hat for Summer

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I recently picked up what I think might be the perfect summer hat: a sisal Lock & Co with a slightly shorter 6.5m brim, low fitting crown, and a dark navy band. Sisal is a type of fiber drawn from the agave plant, which is indigenous to North and Central America, but mostly grown today in Brazil, Mexico, and parts of East Africa. It’s a rather strong fiber, which is why it’s been traditionally used to make rope, twine, and sacks for agricultural purposes.

Lock & Co’s sisal hat is a few shades lighter than peanut butter and woven with a slightly looser weave. I find the combination gives the piece a more causal feel than your traditional cream-colored straw Panama. A welcomed thing when hats are so uncommon for men nowadays.

Pictured here are photos of Mark Cho in the same piece, which he wore at the last Pitti Uomo tradeshow. I admit these are the same photos that inspired my purchase. When the hat came to me last week, the brim was slightly turned up, but I found it could be easily reshaped by gently wetting the material and reforming it with my hands. And unlike my Panama, this fiber seems to have a bit more memory, so you can reshape it once and never need to worry about it again.

For those interested in one, I recommend contacting The Armoury. The model name is Napoli and the price is 2400 HKD (about $300 USD). Not a cheap purchase, to be sure, but if I could only have one summer hat, this would be it.

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Excited to Wear This Spring

It is a grim feature of modern life that we treat downtime as a pit stop between bursts of usefulness. In the United States, where the Protestant work ethic took the deepest root, even Sabbath observance was shaped by the belief that unproductive time required moral justification. Writing in the early 1930s, Bertrand Russell warned that “immense harm is caused by the belief that work is virtuous.” By 1948, the German philosopher Josef Pieper offered a more forceful philosophical defense of leisure. His book Leisure: The Basis of Culture, published in the wake of one of the largest labor strike waves in US history, pushed back against what he called the tyranny of “total work,” a condition in which the modern human is reduced to their measurable productivity.

If leisure needs any justification at all, it can be found in the breakthroughs it enables: Darwin doing his deepest thinking during long walks at Down House, Beethoven composing "Symphony No. 6" in the countryside, Newton developing the foundations of calculus while on a two-year leave from Cambridge. But framing leisure in terms of output, or even as a way to rejuvenate us for labor, still reduces it to an instrument of the state or market. Instead, Pieper argues that leisure is a necessary condition for the soul. The Greek word for leisure, scholē, is the root of our word school—not a site of vocational training, but a space for contemplative stillness. Leisure ensures that “the human being does not disappear into the parceled-out world of his limited work-a-day function, but instead remains capable of taking in the world as a whole, and thereby to realize himself as a being who is oriented toward the whole of existence.”

In the last few years, I’ve been doing a series called “Excited to Wear.” It’s my way of sidestepping the pointless exercise of defining menswear “essentials,” a concept that flattens the richness of style into generic shopping lists. Instead, I prefer to discuss clothes that excite me as the seasons shift. This spring, I’m drawn to clothes that reflect work and leisure—not as polar opposites but as parallel expressions of human wholeness. After all, spring and summer are the seasons for idleness, marked by bikes that creak out of garages and folding chairs that live in trunks. This list is about the clothes I like to wear for light work on warm afternoons and dawdling on cool evenings. It’s clothes for gardening, brunch, and listening to rediscovered LPs. Hopefully, you can find something here that inspires you for your wardrobe.

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A Basic Shirt Wardrobe, Part Two

In 2008, a StyleForum member shared photos of a bespoke shirt they had made by the renowned Neapolitan shirtmaker Anna Matuozzo. Though the images have since been lost to time, they showed a blue-and-white Bengal-striped dress shirt made from Carlo Riva cotton, featuring a semi-spread collar and some extraordinary details. The buttons were firmly shanked, the sleevehead and yoke showcased delicate shirring, and fine, nubby topstitching traced the seam running along the shoulder—all hallmarks of careful hand tailoring. At the time, the price for such a shirt—bespoke, cut from an adjusted block pattern, and crafted with the highest degree of handwork—was 350 Euros. The price was considered so stratospheric at the time that it sent several forum members reeling. One distinguished member with decades of bespoke experience questioned the rationale behind spending so much on a dress shirt. "If an errant meatball rolls down your body, it's done," he cautioned.

I was reminded of this painful lesson last year while getting dressed. A decade of dipped garlic naan and Vietnamese spring rolls rolling down my gullet has nudged me up a size. Unlike jackets, shirts don't have seam allowances, so I've had to rebuild my shirt wardrobe. A few weeks ago, I published a post about which shirts I find useful in a tailored wardrobe; this one is about casualwear.

Like my "Excited to Wear" posts, this series is full of personal prejudice. Over the years, I've found that dry, generic lists of "wardrobe essentials" are rarely useful or interesting. What I enjoy reading most are people's unapologetic opinions on clothing. That said, casualwear presents a unique challenge. Unlike traditional men's tailoring, which follows a relatively narrow set of conventions, casual dress is vast and varied. Much of what I'll cover here will only resonate if you, like me, enjoy dressing like Bob the Builder. Still, I hope you find one or two things worth considering.

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A Basic Shirt Wardrobe, Part One

I believe it was in an old blog post on A Suitable Wardrobe where I came across a Bruce Boyer quote—and I paraphrase—that a well-curated wardrobe is the best incentive to stay in shape. By "stay in shape," he meant staying the same size, of course. If you've invested a considerable amount into clothes that hang without a pull or a ripple, you probably don't want to gain or lose too much weight, either way.

That quote recently came to mind as I started rebuilding my shirt wardrobe. I had a moment of realization last year, much like when Daisy buried her face into Gatsby's collection of sheer linen and fine flannel shirts, sobbing, "They're such beautiful shirts." Except, mine weren't so beautiful—they were so slim. Things I bought fifteen years ago no longer fit, as I've gone up a size. Unlike tailored jackets, button-ups don't come with inlays, so I've been slowly rebuilding my shirt collection, piece by piece.

This process has made me reflect on what constitutes a genuinely useful shirt wardrobe. The tattersalls I thought would go nicely under rustic tweed jackets—while technically true—barely saw any use over the past fifteen years. The discounted Margiela shirt I bought as an experiment looked more like a bad Kickstarter project than thoughtful avant-garde, as I never really had the right pieces—or personality—to make it work. So here's what I think should be in a basic shirt wardrobe. Like my "Excited to Wear" posts, this is filled with personal prejudice and bias—it's simply about what I think should be in my wardrobe. But hopefully, you find this more interesting than generic guides about how every man should dress. This guide will be broken into two parts: shirts for tailoring and shirts for casualwear.

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Ten Of The Best Black Friday Sales

Even when it's online, and you can shop from the comfort of your home, Black Friday always feels like a mad dash to find the best days. To simplify the landscape, I round up the best menswear-related promotions every year and post them here, along with a selection of notable picks at each store. These guides are designed to cover almost every budget—from relatively affordable basics to designer items—so there's something for everyone. This year, I've organized the list to move from "general and affordable" to "specialized boutiques with higher prices," along with a smattering of shoe deals, underwear sales, and grooming products at the end. 

J. CREW: UP TO 50% OFF; PRICES AS MARKED

I've always felt that J. Crew is one of the better one-stop shops for men just starting to build a better wardrobe. The prices are accessible, the designs are classic, and the quality is reasonable. However, it helps to know what to buy. 

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Excited to Wear This Fall

About eighteen years ago, Monty Don, the British horticulturist and human Peter Rabbit, penned an article for The Guardian titled “Dirty Dressing.” It was about how to dress for the dirty task of gardening. “Never wear tight trousers,” he advised. “Always buy trousers at least one waist size too big, make sure that the pockets are big enough to comfortably hold penknife, hanky, string, phone, pencil, labels, and perhaps a mint or two. […] If you are not familiar with their joys, high-rise trousers are fantastically comfortable and keep your lower back warm. My children still squirm with embarrassment every time they see me in them (which is most days) but that is probably some kind of seal of approval.”

I remember being charmed by his intransigent views; each proclamation was stated matter-of-factly without the need for justification or even elaboration. “Do this, that, and the other thing.” Sometimes, it feels like writers are unwilling to criticize anything nowadays or put their foot down on something they know. This admittedly includes me, a menswear writer who feels it’s impossible to responsibly dole out generalizable menswear advice because people have different needs, personalities, and lifestyles.

So, in the last few years, I’ve been doing this series called “Excited to Wear,” which isn’t about things everyone should buy—no one can recommend those—but simply the things I’m most excited to wear for the new season. These posts allow me to get a bit Monty Don-ish, with my tongue firmly planted in my cheek and with the recognition that I’m only speaking about my personal views. Here are ten things I’m excited to wear as the weather gets cooler. There's also a fall/ winter playlist at the end for you.

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American Space Cowboys

It’s often said that America has not been this divided since the Civil War, but even these tumultuous times pale in comparison to the social unrest of the 1960s, when post-war America’s cleavages along race, gender, and sexuality threatened to rip the nation apart. Within ten short years, the United States saw the unfolding of the civil rights movement and the outbreak of countless race riots; the publishing of Betty Friedan’s 1963 book The Feminine Mystique, which sparked second-wave feminism; the Vietnam War and anti-war protests; countless acts of state violence, such as the My Lai Massacre and police brutality at the 1968 DNC; and three major political assassinations (JFK in '63, Malcolm X in '65, and Martin Luther King Jr. in '68). The one bright spot came at the end of this dark decade, when the world finally saw a brighter facet of the American spirit. 

In the summer of 1969, an estimated three hundred million people—a fifth of the world’s population—turned on their television screens to witness a technological miracle. They watched Apollo 11 trace a path through the sky, pierce the darkness of space, and hurtle toward the lunar surface. When the American spacecraft finally descended onto the celestial body, Neil Armstrong gingerly stepped down a ladder and planted his foot on the moon’s dusty regolith. Shortly after, his voice crackled through the void: “That’s one small step for man, one giant leap for mankind.” 

Back home, CBS was one of the many news outlets doing live coverage for millions of viewers. When the module touched down, and Armstrong announced that "the Eagle has landed," CBS' cameras cut back to their anchors, Wally Schirra and Walter Cronkite. At that moment, viewers saw an emotional Schirra wiping away a tear while the usually composed Cronkite bowed his head, momentarily speechless. Although the newsroom was silent, it felt as though the whole cosmos had just cheered. More than fifty years later, this moment is still one of this nation's proudest achievements. 

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Excited to Wear This Spring

According to superstition, good luck comes to those who wear at least one new article of clothing on Easter Sunday, the official start of spring (style-wise). For years, I wrote spring style guides for various publications, including Put This On, but as menswear has become balkanized into tiny little communities, I've found it better to simply talk about what I'm excited to wear in the new season. These "Excited to Wear" posts aren't meant to be prescriptive—find whatever works for you—but perhaps you will find some inspiration here. Here are ten things I'm excited to wear this spring, along with some miscellanea, including a Spotify playlist at the end to go along with the photos. 

Hey, Nice Pants!

Five years ago, John Mayer presented his "theory on pants" in a dimly lit room while playing Qari's "Pants from Japan" in the background. The gist: while pants are often neglected and considered to play second fiddle to jackets, they’re actually important cultural markers. From the bellbottoms of the 1970s to the baggy jeans of the 1990s to the bone-hugging slim-fits of the early aughts, how we cover our lower limbs reflects the spirit of the times. In this sense, Mayer feels we should respect the power of pantaloons and dress from the bottom up. “I’m saying we pick our pants first,” he explained, “and we pick our pants wisely. By making better decisions in pants—and making pant decisions first—we send the circulation of good taste through the rest of our body. The pants we choose will affect what shoes we wear and, systematically, what we wear on top. Good pants make good outfits.”

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