I’m convinced that no one who likes clothes can possibly like spring. The clothes are often less interesting; there’s less opportunity for layering. The cuts reveal more than conceal, and few of us look good naked. Whereas dressing for winter can be something of a paint-by-numbers exercise, dressing for spring is more like trying to solve a puzzle. How do you dress well, but also comfortably?
It always takes me a while to switch wardrobes this time of year, but I often go back to the same things – breathable tailoring, button-down shirts, and loafers. For casualwear, it’s usually a field jacket or chore coat, then some raw denim jeans (gotta get those fades). I also like bolder shirts nowadays with unusual collars. If you’re looking for some style inspiration this spring, here are three things I’m really into at the moment.
The loss of the coat-and-tie uniform in the last fifty years has meant more than the loss of formality. It’s made it harder for men to know how to dress. The brilliance of traditional tailoring is that anyone can look good in a suit – provided you have a reliable tailor and are willing to follow some simple rules. But as dress codes have broken down and people everywhere are dressing more casually, it’s become harder and harder to wear tailored clothing. The New York Times tells us that we live in a more liberated world where people can dress however they want – swapping clothes in and out as freely as their emotions swing – but I’ve argued that things are nearly just as constrictive as they were in the 1960s. It’s just that instead of hard written dress codes, we have softly coded dress norms – things that define how men should dress, but are never spoken of and can only be understood through inference.
I think this is why so many men have a hard time figuring out what they want to wear. They find suits and sport coats too formal; Americana and workwear too rugged; designers such as Dries and Margiela too avant-garde. Yet, they also know that an oxford button-down worn alone with flat front chinos lacks verve. Casualwear can be frustrating because it’s nebulous – it’s more about dressing according to emotions, rather than rules, and a lot depends on your personality and lifestyle.
In the last few years, however, I’ve noticed a new space emerge for guys who want a more casual version of classic style. I think of it as reinvented Italian sportswear. Think of Stoffa’s made-to-measure bomber jackets, which are designed to be worn with tailored trousers in lieu of a sport coat. Or Eidos’ range of textured Arans with interesting necklines, unconstructed topcoats, and lounge-y cardigans. Similarly, Camoshita has remixed Italian style and Ivy classics for men who want something contemporary, refined, and smart.
Black Friday sales are upon us. Every year, I roundup some of my favorites both here and at Put This On (we’ll have a comprehensive list of every worthwhile sale later this week, on Friday). Some of my favorite stores, however, are getting a jump on things. Many have started their Black Friday promotions already, with discounts going as deep as 50% off. From Mr. Porter to No Man Walks Alone to East Dane, here are eight early-bird sales I think are pretty great.
Mr. Porter’s massive selection has put them in everyone’s orbit. Whether you favor classic tailored clothing, Japanese workwear, or oversized, minimalist contemporary garb, Mr. Porter likely carries more than a handful of brands for you.
Tailoring is often described in regional or house terms. Anderson & Sheppard’s iconic drape cut is soft shouldered and full throughout the chest, making even the most frail and pudgy look athletic. Conversely, Huntsman’s imposing shoulder line and flared skirt, which kicks out from the hips, accentuates their X-shaped silhouettes. Huntsman’s cut is derived from their heritage, obvious from the company’s name, back when the firm used to tailor for Europe’s hunting and riding aristocracy.
Over the years, I’ve realized these generalizations only take you so far. In reality, there’s no such thing as an Anderson & Sheppard cut – only a specific cutter’s interpretation of a house style. The word cutter is a tailoring term for a person who drafts a pattern and cuts the cloth, sort of like the architect behind a building. Large tailoring houses can have two or three cutters, maybe more if you count the people making trousers, which means the same number of people can walk into a shop and come out with surprisingly different garments. If you like a bespoke suit or sport coat, it’s just as important to ask who was the cutter as it is to ask about the tailoring house.
Which is why I like working with small tailoring shops, where the cutter’s name is on the door. You have a better chance of knowing who cut each of the garments that carries the shop’s label. One such cutter-run firm is Steven Hitchcock’s, who’s been in the tailoring business for over twenty-seven years. He left school at age sixteen to find a trade, first puttering around with the idea of becoming a mechanic (he even took some classes for it). “At some point, my grandfather suggested I spend a day with my dad, John Hitchcock, who at the time was a trouser cutter at Anderson & Sheppard,” says Steven. “It ended up being fantastic. I thoroughly enjoyed seeing a pair of trousers get cut and made, as well as celebrities such as Liam Neeson walk through those doors.”
No Man Walks Alone is an advertiser on this site, but also one of my favorite stores. Greg, the company’s founder (who can be seen pictured above), simply has great taste in both tailored clothing and casualwear. Guys who are used to wearing suits during the workweek can find themselves at a loss on how to dress casually. Similarly, men who know how to dress casually can sometimes be confused on where to pick up a good suit. No Man Walks Alone is one of those rare stores that can serve both types of people.
This weekend also marks their fourth year in business, so they’re celebrating with a five-day sale. Take 20% off anything with the checkout code FOURTH. Unlike No Man Walks Alone’s end-of-season sales, these mid-season promotions allow for returns, which makes it safer to take a chance on something. Here are ten things I think are particularly worth a closer look:
The internet is overflowing with information nowadays about custom tailoring, but I find the best information still comes from traditional networks – privately talking with friends who share an interest in the subject, as well as online acquaintances who’ve had bespoke clothes made. This is especially true if you’re interested in Italian style. In London, most tailors work for one of the large tailoring houses on Savile Row, which means you can easily walk down that street alone and find a reputable maker.
In Italy, things are different. The firms are smaller; the tailoring houses less well-known. People are scattered throughout cities, which means they can be harder to find. In Naples, for example, tailors are often tucked away inside hidden courtyards and even apartment buildings, operating in workshops that have no commercial signage. The city at times reminds me of when I lived in Moscow. There, you often have stores hidden inside large, imposing buildings that otherwise serve as residential complexes. You’d never know they were there unless you were from the area – or talked to a local who could show you around.
Since few Italian tailors visit the United States, I’ve been planning a trip to Italy to visit them. As such, I’ve turned to friends for recommendations on new tailors to try. Kentaro Nakagomi, the founder and designer behind Coherence, recommended I check out Sartoria Marinaro, which is based in Florence. “It has that good old smell,” he said.
Globalization has been a double-edge sword for menswear. On the one hand, it’s wiped out many of the distinctive features that once made regional dress unique. There are a million sources these days for Macclesfield silk ties and minimalist sneakers, but few companies genuinely doing anything off the beaten path. At the same time, it’s allowed consumers to more easily tap into overseas markets (and, by the same token, for overseas companies to gain a broader audience).
Even with all this access to information, however, it can be easy to overlook things happening around the world. South Korea, for example, rarely gets the credit it deserves. While much has been written about how China and Japan are changing our taste, little has been said about how South Korea is developing a menswear scene rivaling its neighbors. In the nation’s capital, you can find some surprisingly good bespoke tailors these days. Shops such as BnT Tailor specialize in Italian-inspired cuts – with their straight, wide lapels and sweeping quarters – but with clothes that often fit cleaner than what you’d get out of Naples. Similarly, boutiques such as Sculpt are as good as anything you’d find in New York City, while the number of domestically designed, Korean ready-to-wear labels is increasing every year.
Like with Japan and China, however, it can be difficult to navigate the South Korean market if you can’t read the language. Sites such as High Snobiety and Hypebeast have covered the Korean fashion scene, but they often focus on streetwear brands that might feel alien to the average reader here. So, I thought I’d put together what I think are some of the most interesting labels right now coming out of the country – ranging from heritage-inspired workwear to more contemporary, minimalist styles.
I admit to having some prejudices when it comes to tailoring. For years, I believed the best work is done by old men who have a no-nonsense approach to their craft. In the forward to Anderson & Sheppard’s vanity book, A Style is Born, Graydon Carter describes the Savile Row tailoring shop as a dark, intimidating place. Worn wooden floorboards, ancient tables with heavy rolls of wools and tweeds, and a chest-high etched-glass divider where the front of house would take your order. Even Carter’s description of his cutter, the famous Mr. Norman Halsey, is comically cold:
A few years after we had gotten to know each other, I suggested that he call me Graydon rather than “Mr. Carter.” “Of course, Mr. Carter,” he replied. On occasion, I would try to get him to make something outside the mould, something a bit dramatic, to which he would say “A most daring idea, sir,” and the plan would be quietly dropped. During one fitting, when I felt I had put on a bit of weight, I asked Mr. Halsey if he could cut it so the extra pounds wouldn’t show. “We’re only tailors, sir,” he replied politely, but firmly.
In the world of bespoke tailoring, you’ll find hundreds of little stories like these. All charming – such as the one of gruff Neapolitan tailors offering clients coffee (I once wrote a two-partfollow-up at StyleForum) – but they also contribute to this idea that there are prima facia conditions for a tailoring house to be taken seriously. Things that position the house as genuinely inclined to the craft, rather than a slick facade that’s more about marketing than good work.
If you’re reading this Monday night, know that some of the sales inventory is still being added. Given how quickly things sell out, however, you may want to browse the site now, then check back in the morning. You can use Mr. Porter’s filters to narrow down the inventory or go through their list of brands. If you’d like some suggestions, however, here are some things I think are particularly special:
Eidos: A terrific Italian-inspired casualwear line. The topcoat I bought from them last season has become one of my favorite outerwear pieces. This spring/ summer, they have some incredible looking Ghruka pants (size up) and cotton knitwear. See Rubinacci for more Ghurka-styled trousers.
Camoshita: If you’ve ever admired Yasuto Kamoshita’s easy-going, louche style, you might want to take a look at his line. His shirts and polos are especially good this season.
Drake’s: Do they need any introduction? One of the best men’s accessories brands in the world. The spring scarves are especially nice.
Chimala: This Japanese brand makes things that feel like they’ve been dug out your favorite vintage shop. The clothes often fit nice and loose, but in a way that’s flattering, and there are often interesting pre-distressed details (I promise they’re done tastefully). One of my favorite workwear brands.
Kapital: Do you want to look like a wandering hobo pirate in some post-apocalyptic world? If so, Kapital is for you! Not the easiest brand to wear, but certainly fun. (I’m actually wearing a Kapital Aloha shirt while typing this).
Valstar: Civilian-styled A-1 suede jackets from an Italian company that has made their name off this design. Can be worn with either tailored trousers or jeans, which is what makes these so useful. These really come to their own when you layer them over textured knitwear.
Velva Sheen:Simple, great t-shirts. The selling point here is that they’re knitted like tubes, so they don’t have any side seams, but they’re really just soft, easy-fitting tees that flatter. Be sure to size up.
Battenwear: Something like a surf version of Engineered Garments. Lots of beach parkas, shorts, and camp collar shirts. All done in contemporary cuts that feel more stylish than their baggier American-made counterparts. For something similar, check Arpenteur.
Inis Meain: One of my favorite knitwear brands. Their sweaters are inspired by archival Irish designs, mostly those that have been worn on the Aran Islands. The quality here is just excellent – a considerable step-up from the Aran companies that mostly sell to tourists.
Maison Margiela: If you don’t already have a pair, Margiela’s German Army Trainers are really useful. They’re a little sportier than Common Projects’ Achilles, which in some ways makes them less versatile, but they still go with almost anything short of tailoring.
Viberg: You rarely see Vibergs on sale, but Mr. Porter has the Canadian company’s popular service boots and Chelseas discounted by 30%. The service boots in particular are great – to workwear what boat shoes are to prep (I mean that in the best of ways). Just an easy-to-wear, versatile boot if you have rugged clothes in your closet.
RM Williams: The iconic Chelsea. Theirs is a wholecut design, which I think looks better than Chelseas with side seams (surprisingly common, even on boots retailing for over $1,000).
Gaziano & Girling: A rare sale on Gaziano & Girling shoes. Just note that the lasts here are on the slightly sleeker side of things.
Onia and Orlebar Brown: Great for swim shorts. Orlebar Brown’s shorts are made with side tabs, which I think looks nicer than elasticized waists. Onias, however, fit me a little better, so they might also work for you.
Jeans: Mr. Porter has some of my favorite jeans. As mentioned above, Orslow’s 107 fit is nice if you want something skinny, but with a manageable rise. Then there’s Our Legacy’s First Cut, which is fuller through the thigh, but has a nice taper below the knees. Finally, LVC’s 1947 501 jeans are a forgiving slim-straight cut. Probably more useful for guys with classic sensibilities, although the wash here might be hard to use with sport coats.
There’s an old adage often passed around by men who use bespoke tailors: don’t stray far from the house style. And for good reason. The best tailors specialize in certain looks, which they’ve carefully perfected over the years. Just as you wouldn’t order French food at Nobu, you shouldn’t ask for an Italian jacket from an English tailor. Even if he or she is willing to make it for you, it probably won’t look very good.
Sometimes, however, under the right hands, straying works. Last year, George Wang at BRIO told me about a new project he’s been working on with Hong Kong tailoring house W.W. Chan. They specialize in clean, classic, British-influenced cuts, but are also a bit more flexible than other tailors in terms of what they’re willing to make.
For the last couple of years, George has been working with W.W. Chan to create a distinctive house style for his store. When I met up with him last January, he brought a sample jacket, which was maybe it in its third or fourth iteration. “You can’t just give a tailor a big list of changes,” said George. “You have to see how small changes affect the look here and there through each commission. Plus, tailors can be set in their ways, so it’s easier to make these changes in piecemeal steps.”
