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In the world of classic men’s style, Naples holds a prominence that is only rivaled by London. The city is beautiful, energetic, and creative, always bustling with an upbeat tempo. Mark Twain once wrote of it: “The streets are generally about wide enough for one wagon, and how they do swarm with people! It is Broadway repeated in every street, in every court, in every alley! Such masses, such throngs, such multitudes of hurrying, bustling, struggling humanity! We never saw the like of it, hardly even in New York. There are seldom any sidewalks, and when there are, they are not often wide enough to pass a man on without caroming on him. So everybody walks in the street – and where the street is wide enough, carriages are forever dashing along.”

It’s among this energetic buzz that some of the world’s most celebrated tailoring traditions live, but you have to be in the region to appreciate them. Most Neapolitan tailoring houses don’t travel. In fact, that’s one of the biggest differences between English and Neapolitan firms. London-based companies have a higher level of business development – they have storied names and bigger marketing budgets. Some of their revenue may not even come from bespoke tailoring, but rather ready-to-wear. When they tour the US, some will take in hundreds of orders. 

Neapolitan firms, on other hand, are usually small, family-owned and -operated operations. There’s typically just one cutter, often an older man in his 60s, who is then supported by a complex network of outhouse workers (tailors, in other words). Most of these firms remain only known to hardcore tailoring enthusiasts – men who like to post online and share stories about bespoke craft. As a result, they take an infinitesimally smaller number of orders when they travel, assuming they travel at all. And if one or two clients drop from a city, traveling suddenly becomes a financial liability. Combine this difference in business organization with price – Savile Row suits typically cost double their Neapolitan counterparts – and, I think, you have your explanation for why some Neapolitan firms have such a bad reputation for service. 

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Flannel trousers are the backbone of any tailored wardrobe. They’re professional without looking pushy, sophisticated without being slick. Best of all, while they’re perfectly suitable for the office, they make you feel like you’re lounging in your brushed cotton pajamas. Wool flannel is so soft and comfortable, the Brits used it for undergarments up until the early 20th century. Doctors even recommended wearing flannel to ward off ailments and cure dysentery. Although, not everyone was convinced. In a 1900 issue of The Medical Times, one skeptic wrote: “The writer was a constant victim to colds. He was really a victim of flannels, having fall after fall procured underwear of heavier weight and all wool, in the determination to avoid the chills and shivery sensations during winter. [He fell] for the flannel craze.” 

Like all wool fabrics, flannel comes in two forms: worsted and woolen. Maybe these categories should be renamed to combed and uncombed, however, because it’s the combing process that separates them. Combing wool is exactly what it sounds like. Before wool is spun into yarn, a spinner can separate out the fibers by combing the material. This sets the hairs parallel to each other, as well as removes any of the shorter fibers that would spoil the regularity characteristic of worsted. After the wool has been combed, it’s spun into yarn and then woven into a fabric. And by combing the hairs first, the resulting fabric will feel a bit smoother and crisper, which is how you get shiny, hard-finished fabrics. Woolens, on the other hand, aren’t put through the same process. Thus, the fabric is spongier and loftier, as the fibers point in every possible direction. To give examples, gabardine is worsted; tweeds are generally woolen. 

Flannel is available in both forms. Worsted flannel will have a subtle but visible twill weave just beneath its fuzzy nap. Woolen flannel, on the other hand, tends to look cloudier (like the every-which-way direction of the hairs on tweed). I prefer woolen flannel this time of year because it’s softer and spongier next to the skin, its lofty surface helps trap heat, and its mottled finish lends visual interest. None of these characteristics are present to the same degree in the increasingly more common worsted variety, whose only virtues are that it’s studier and can be woven into a lighter weight material. If you have the money for it, get worsted flannel for spring/ summer, then heavier woolen flannel trousers for those bitingly cold winter nights.

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George Frazier, the famous jazz columnist and author of “The Art of Wearing Clothes,” had one of the most accurate and least helpful ways of describing style. He used the term duende, a Spanish word for a kind of mythological hobgoblin, but when used colloquially, at least by Frazier, it refers to a kind of irresistible magnetism. Some things have duende and some things, while they may still be good, simply do not.  

“It’s the thing that Fred Astaire had, but Gene Kelly did not; what made a Ted Williams strikeout more exciting than a Stan Musial home run,” Alex Belth once explained in Esquire. “It was difficult to even describe – you just knew it when you saw it – but Frazier never tired of trying. For him, style was a matter of utmost importance, as he revealed in a 1969 column: ‘It is my own conviction that there can be no style without … an immense honesty, and inviolability in the matter of one’s craft, a relentless being-true-to-one’s-own image.’”

Duende goes by many other names – it’s similar to sprezzatura in Italian and sang-froid in French. In any language, it points to a kind of naturalness that can’t be imitated. And after chatting with Dick and Ben for a couple of hours last week, trying to get at some helpful tips on how others may want to dress, I left with little practical advice. Dick and Ben wear many of the same things others do, they just look cooler.

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When did you start wearing tweed and flannel on a consistent basis this year? About a generation or two ago, these two robust fabrics would have made their first appearance after Labor Day, which marked the natural end of summer fashion. After all, that was the spirit behind the saying “no white after Labor Day,” a rule so sacred among etiquette hardliners that Patty Hearst’s character was murdered for it as punishment in the 1994 movie Serial Mom. But this year, my autumnal clothes have been dashing in-and-out of my wardrobe, with summer pieces continuing to be useful as late as November. Last month, thirteen US federal agencies released a stunning report saying climate change has already had devastating impacts on our health and economy. On a more superficial level, I can’t help but wonder if it’s also affected our wardrobes – and menswear retailing. 

Every year, the traditional concept of four seasons seems increasingly outdated. Scientists have found that, as the planet warms up, the tropics have been expanding 0.1 to 0.2 degrees latitude every decade, so that places that once had four seasons are now shifting to having just two. Vox had an article this week about how global warming could change US cities by the year 2050 (“In some cities, it’ll be like moving two states south”). “You can see that Scranton, Pennsylvania, will have a climate that resembles that of Round Hill, Virginia, today,” they wrote. “That’s a distance of about 220 miles as the crow flies, but it means that Scranton will face average summer peaks that are 4.8°F higher and winter temperature lows that are 5.5°F higher.” 

This is happening all over the place, not just in Scranton. In parts of New England, winters have warmed at an average rate of more than 1°F per decade since 1970 — that’s more than 4°F total. Last year, some eastern US cities were beset with summerlike temperatures as early as February. And across the US, winters feel shorter and generally milder, with the transition from cold winter weather to warmer spring temps happening earlier. Alexander Stine, an Assistant Professor of Earth & Climate Sciences at Harvard, says: “Once we account for the fact that the average temperature for any given year is increasing, we find that some months have been warming more than others. Most of the difference is the result of this shift in the timing of the seasons, and a decrease in the difference between summer and winter temperatures.”

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Even when it’s online and you can shop from the comfort of your own home, Black Friday still feels like a mad dash to find the best deals. Over at Put This On, we’re rounding up the best of Black Friday promotions. The list is massive, with the number of sales going into the hundreds, and we’ll be adding to the list over the weekend as we learn of new promotions. For those who want something more manageable, I’ve pulled together some of my favorites in these two posts. Combine those with the ten sales listed below and you have what I think are the nineteen best Black Friday sections this year. 

Unionmade: 20% Off Orders Over $250, Code BLACKFRIDAY

Unionmade is a great shop for workwear, heritage brands, and hard-to-find Japanese imports. They carry everything from the sort of slim-straight jeans a guy can wear with sport coats, to more experimental lines such as Kapital. And in the last year, they’ve branched out to more contemporary labels such as Studio Nicholson and Deveaux. 

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Mr. Porter’s massive selection puts them in everyone’s orbit. Whether you favor classic tailored clothing, Japanese workwear, or oversized, minimalist contemporary garb, Mr. Porter likely carries more than a handful of brands for you.

Today, Mr. Porter started their Black Friday promotion, where you can take up to 30% off select items. Inis Meain’s sweaters are expensive, even with the discount, but absolutely exquisite and a joy to wear. Engineered Garments, Blue Blue Japan, and Kapital are personal favorites for workwear; SNS Herning is great textured knitwear you can layer under heavy coats (be sure to size up). I’m also pleasantly surprised to see how many footwear brands are included in the promotion – RM Williams, Common Projects, John Lobb, George Cleverley, Yuketen, and Visvim among them. 

Given the scope and size of their inventory, your best bet is to filter by sizing and brands to see what you like. That said, here are ten items that I think are worth highlighting. 

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Black Friday sales are upon us. Every year, I roundup some of my favorites both here and at Put This On (we’ll have a comprehensive list of every worthwhile sale later this week, on Friday). Some stores, however, are getting a jump on things. Many have already started their Black Friday promotions, with discounts going as deep as 50% off. There’s even a topcoat below for just $150. From affordable workwear to contemporary casualwear, here are nine really good early-bird specials. 

J. Crew: 50% Off, Code TGIF

J. Crew’s never-ending sales have become a running joke on Twitter, but I also think their Wallace & Barnes line is one of the best values in menswear right now. Their clothes have a more boutique feel than J. Crew’s mainline, are made from better materials, and are inspired by the company’s vintage design archive. Wallace & Barnes is great even at full retail, but with the current promotion, it almost feels like you’re shopping in 2009 again, before fashion prices were launched into outer space. This indigo moleskin chore coat, for example, is just $130. Their autumnal Fair Isle sweaters are $74; terrycloth sweatshirt $40; heavyweight flannel and hearty herringbone work shirt less than $50. This olive green, cotton-hemp shirt is kind of basic, but also just $27. 

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Men’s style has never been more factionalized. Whereas men once agreed on what they thought were The Good Clothes, today’s landscape is such that the ascendency of one look doesn’t necessarily displace another. Ten years ago, men rallied around Americana and denim, then prep and Italian tailoring. Now with a million style tribes, it’s hard to coalesce excitement around any one thing. There’s streetwear and techwear, tailoring and normcore, the brutalist avant-garde and Japanese folk. Nothing is fully in or out. 

There is, however, one small sliver of overlap: the classical overcoat, loose and slightly oversized, which has somehow managed to cut across style genres. Preps pair polo coats with tweeds and flannels. Streetwear aficionados have worn camelhair topcoats ever since Kanye sported his with suede Chelsea boots. Contemporary menswear guys, those of both maximalist and minimalist stripe, like theirs with sleek jeans and textured sweaters. Even workwear lines such as RRL offer the occasional belted duster or tweed.

These are not just superficial overlappings, either. As men’s style has started loosening up, both fashion forward guys and classic menswear enthusiasts have found common ground on how they think a coat should fit. Whereas traditional overcoats once seemed out-of-touch, shoulder-hugging coats now look out-of-date. Classic overcoats right now are the one thing we can all agree on. 

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